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Vitaphone Prelude

Richard Barrios

in A Song in the Dark: The Birth of the Musical Film

Published in print:
2009
Published Online:
February 2010
ISBN:
9780195377347
eISBN:
9780199864577
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195377347.003.0002
Subject:
Music, Popular

A brief overview of the prehistory of sound film, from Thomas Edison through the work of Lee DeForest, noting that most of these early films were marked by musical performance. The origins of the ... More


The Sound Barrier

Richard Barrios

in A Song in the Dark: The Birth of the Musical Film

Published in print:
2009
Published Online:
February 2010
ISBN:
9780195377347
eISBN:
9780199864577
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195377347.003.0003
Subject:
Music, Popular

1928 was the year when sound film was genuinely established. As the early part-talking films were produced, the studios scramble to mount the sound-film bandwagon while audiences were compelled to ... More


“You Were Meant for Me”

Richard Barrios

in A Song in the Dark: The Birth of the Musical Film

Published in print:
2009
Published Online:
February 2010
ISBN:
9780195377347
eISBN:
9780199864577
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195377347.003.0004
Subject:
Music, Popular

The Broadway Melody, produced by MGM, is the first true musical film. Unlike other films preceding (and following it), it was constructed with meticulous care directed toward both ... More


Synchronization: McGurk and Beyond

K. J. Donnelly

in Occult Aesthetics: Synchronization in Sound Film

Published in print:
2014
Published Online:
April 2014
ISBN:
9780199773497
eISBN:
9780199358816
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199773497.003.0002
Subject:
Music, Popular, History, Western

Sound and image are perceived as an utter unity, disavowing the effect’s basis in artifice. This situation has dissuaded much in the way of serious questioning of film as more than simply a visual ... More


Echo and Hum: Death’s Acoustic Spacein the Early Sound Film

C. Scott Combs

in Deathwatch: American Film, Technology, and the End of Life

Published in print:
2014
Published Online:
November 2015
ISBN:
9780231163477
eISBN:
9780231538039
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231163477.003.0003
Subject:
Film, Television and Radio, Film

This chapter examines the nondiegetic soundtrack as registrant in the early sound film. In theory, the sound camera can capture the last audible breath or spoken utterance, and it can produce the ... More


Sound Montage

K. J. Donnelly

in Occult Aesthetics: Synchronization in Sound Film

Published in print:
2014
Published Online:
April 2014
ISBN:
9780199773497
eISBN:
9780199358816
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199773497.003.0003
Subject:
Music, Popular, History, Western

Montage theory remains at the heart of filmmaking and film studies, although many of its original concerns and insights have perhaps receded from view. Sound montage, theorized with the arrival of ... More


Hymns for the Fallen: Combat Movie Music and Sound after Vietnam

Todd Decker

Published in print:
2017
Published Online:
September 2017
ISBN:
9780520282322
eISBN:
9780520966543
Item type:
book
Publisher:
University of California Press
DOI:
10.1525/california/9780520282322.001.0001
Subject:
Film, Television and Radio, Film

Hymns for the Fallen listens closely to forty years of Hollywood combat films produced after Vietnam. Ever a noisy genre, post-Vietnam war films have deployed music and sound to place the audience in ... More


Occult Aesthetics: Synchronization in Sound Film

K.J. Donnelly

Published in print:
2014
Published Online:
April 2014
ISBN:
9780199773497
eISBN:
9780199358816
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199773497.001.0001
Subject:
Music, Popular, History, Western

Occult Aesthetics: Synchronization in Sound Film focuses on an often overlooked aspect of audiovisual culture that is crucial to the medium’s powerful illusions. This book examines the ... More


Split Screen: Sound/Music in The Stranger/Criss Cross

Robert Miklitsch

in Film Noir

Published in print:
2014
Published Online:
May 2015
ISBN:
9780748691074
eISBN:
9781474406420
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748691074.003.0007
Subject:
Film, Television and Radio, Film

Robert Siodmak and Orson Welles are both central figures in the history of sound film. Siodmak and Welles are also central to the history of film noir. Although Welles’ contribution as a director ... More


Golden Mountains (1931) and the New Soviet Sound Film

Joan Titus

in The Early Film Music of Dmitry Shostakovich

Published in print:
2016
Published Online:
March 2016
ISBN:
9780199315147
eISBN:
9780190456832
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199315147.003.0004
Subject:
Music, History, Western

Similar to the politics and aesthetics of Alone, Golden Mountains (1931) was immersed in the debate over the ideal Soviet sound film. Caught between the aesthetics of silent and sound film, and the ... More


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