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From Ghetto to Mainstream: Bollywood inland South Africa

HASEENAH EBRAHIM

in Travels of Bollywood Cinema: From Bombay to LA

Published in print:
2012
Published Online:
September 2012
ISBN:
9780198075981
eISBN:
9780199081523
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780198075981.003.0019
Subject:
Literature, Film, Media, and Cultural Studies

This chapter traces the migration of Bollywood from the ‘ghetto’ market of the Indian descent population in South Africa to the ‘crossover’ market of mainstream cinemas, the national television ... More


Neapolitan Cinema and the Italian Film Industry

Alex Marlow-Mann

in New Neapolitan Cinema

Published in print:
2011
Published Online:
March 2012
ISBN:
9780748640669
eISBN:
9780748651214
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748640669.003.0002
Subject:
Film, Television and Radio, Film

Films are not merely works of art or cultural artefacts, but commercial commodities produced within an industrial system ruled by government legislation, financial constraints and market forces. ... More


Global America?: American-Japanese Film Co-productions from Shogun (1980) to Lost in Translation (2003)

Yoshi Tezuka

in Cultural Studies and Cultural Industries in Northeast Asia: What a Difference a Region Makes

Published in print:
2009
Published Online:
September 2011
ISBN:
9789622099746
eISBN:
9789882206793
Item type:
chapter
Publisher:
Hong Kong University Press
DOI:
10.5790/hongkong/9789622099746.003.0006
Subject:
Society and Culture, Asian Studies

This chapter discusses the experiences of filmmakers and crews who worked on two international co-productions filmed in Japan: the film and TV series adapted from James Clavell's Shogun and Sofia ... More


Digital Film Production Time

Sarah Atkinson

in From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition

Published in print:
2018
Published Online:
September 2018
ISBN:
9780748693580
eISBN:
9781474444668
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748693580.003.0003
Subject:
Film, Television and Radio, Film

This chapter explores the notion of digital film production ‘time’ By examining the various different temporalities of film production. Drawing primarily upon the case-study materials of Ginger & ... More


Changing Structures in the Mumbai Film Industry

Gregory D. Booth

in Behind the Curtain: Making Music in Mumbai's Film Studios

Published in print:
2008
Published Online:
October 2011
ISBN:
9780195327632
eISBN:
9780199852055
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195327632.003.0004
Subject:
Music, Ethnomusicology, World Music

This chapter examines the changing structures of the film industry in Mumbai, India. It proposes a historical model in which overlapping cultural and industrial systems resulted in changes in ... More


Recycled Hollywood for the TV Generation: The Rise of Parody and the Fall of Mel Brooks the Director, 1974–95

Alex Symons

in Mel Brooks in the Cultural Industries: Survival and Prolonged Adaptation

Published in print:
2012
Published Online:
January 2013
ISBN:
9780748649587
eISBN:
9780748676484
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748649587.003.0005
Subject:
Film, Television and Radio, Film

This chapter discusses how Brooks did not just recycle Hollywood film, but hybridised film content together with a wide range of content from television. It is through hybridising film with ... More


Establishing Classical Norms

Paul Grainge, Mark Jancovich, and Sharon Monteith

in Film Histories: An Introduction and Reader

Published in print:
2007
Published Online:
September 2012
ISBN:
9780748619061
eISBN:
9780748670888
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748619061.003.0004
Subject:
Film, Television and Radio, Film

This chapter shows that classical norms were not fixed rules or structures, but set particular boundaries within which innovation could take place. In essence, classical film style rejected formal ... More


African Initiatives

Roy Armes

in African Filmmaking: North and South of the Sahara

Published in print:
2006
Published Online:
September 2012
ISBN:
9780748621231
eISBN:
9780748670789
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748621231.003.0003
Subject:
Film, Television and Radio, Film

This chapter focuses on post-independence filmmaking in four adjoining areas astride the Sahara: Algeria, Morocco, Tunisia and the fourteen independent states in francophone West Africa south of the ... More


Freedom to Offend: How New York Remade Movie Culture

Raymond J. Haberski

Published in print:
2007
Published Online:
September 2011
ISBN:
9780813124292
eISBN:
9780813134918
Item type:
book
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813124292.001.0001
Subject:
Film, Television and Radio, Film

In the postwar era, the lure of controversy sold movie tickets as much as the promise of entertainment did. This book investigates the movie culture that emerged as official censorship declined and ... More


Nationalism, Trade and Market Domination

Paul Grainge, Mark Jancovich, and Sharon Monteith

in Film Histories: An Introduction and Reader

Published in print:
2007
Published Online:
September 2012
ISBN:
9780748619061
eISBN:
9780748670888
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748619061.003.0003
Subject:
Film, Television and Radio, Film

This chapter discusses the international scope and status of early cinema, and the particular significance of European production companies. While Europe dominated world film markets in the first ... More


The International Years

Alan Burton and Tim O'sullivan

in The Cinema of Basil Dearden and Michael Relph

Published in print:
2009
Published Online:
September 2012
ISBN:
9780748632893
eISBN:
9780748671144
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748632893.003.0008
Subject:
Film, Television and Radio, Film

In the latter half of the 1960s Dearden and Relph worked on a number of big-budget films made for Hollywood companies operating in Britain. By contrast with much of their earlier productions, these ... More


Globalisation and the New Millennium

Paul Grainge, Mark Jancovich, and Sharon Monteith

in Film Histories: An Introduction and Reader

Published in print:
2007
Published Online:
September 2012
ISBN:
9780748619061
eISBN:
9780748670888
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748619061.003.0024
Subject:
Film, Television and Radio, Film

This chapter discusses the film industry in the 1990s. The overseas market counted for half of the majors' theatrical income and generated an even greater percentage of revenue through home video and ... More


Digital Film Production Space

Sarah Atkinson

in From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition

Published in print:
2018
Published Online:
September 2018
ISBN:
9780748693580
eISBN:
9781474444668
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748693580.003.0004
Subject:
Film, Television and Radio, Film

This chapter disentangles the deeply ingrained celluloid practices of digital film production. Through the examination of embodied practices, onset processes and protocols, including considerations ... More


British film production and the horror genre

Johnny Walker

in Contemporary British Horror Cinema: Industry, Genre and Society

Published in print:
2015
Published Online:
May 2018
ISBN:
9780748689736
eISBN:
9781474416009
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748689736.003.0002
Subject:
Film, Television and Radio, Film

Chapter 2 contemplates why British horror was revived at the dawning of the new millennium, and also considers some of the reasons why British horror films produced in the 2000s and 2010s can be ... More


From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition

Sarah Atkinson

Published in print:
2018
Published Online:
September 2018
ISBN:
9780748693580
eISBN:
9781474444668
Item type:
book
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748693580.001.0001
Subject:
Film, Television and Radio, Film

From Film Practice to Data Process critically examines the practices of independent digital feature filmmaking in contemporary Britain. The business of conventional feature filmmaking is like no ... More


Let the quiet ones in

Johnny Walker

in Contemporary British Horror Cinema: Industry, Genre and Society

Published in print:
2015
Published Online:
May 2018
ISBN:
9780748689736
eISBN:
9781474416009
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748689736.003.0006
Subject:
Film, Television and Radio, Film

Chapter 6 returns to industry, and charts the re-emergence of Hammer Films, which, after thirty years, finally went back into film production in the 2000s. Drawing from primary sources such as the ... More


Gangsters, Champions, and the History of the Boxing Film

Leger Grindon

in Knockout: The Boxer and Boxing in American Cinema

Published in print:
2011
Published Online:
March 2014
ISBN:
9781604739886
eISBN:
9781604739893
Item type:
chapter
Publisher:
University Press of Mississippi
DOI:
10.14325/mississippi/9781604739886.003.0002
Subject:
Film, Television and Radio, Film

This chapter discusses the history of the American boxing film from the coming of sound to the end of the twentieth century. It characterizes the chief cycles of film production in order to explain ... More


The Emergence of the Films Division: Institutional Roots and Tensions

Peter Sutoris

in Visions of Development: Films Division of India and the Imagination of Progress, 1948–75

Published in print:
2016
Published Online:
January 2017
ISBN:
9780190608323
eISBN:
9780190663001
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780190608323.003.0003
Subject:
Political Science, Indian Politics

This chapter begins with the discussion of the birth of the Films Division as Nehru’s brainchild and the hope Indian filmmakers placed in the power of the documentary medium to contribute to the ... More


Introduction

Ann Davies

in Daniel Calparsoro

Published in print:
2009
Published Online:
July 2012
ISBN:
9780719073649
eISBN:
9781781702093
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719073649.003.0011
Subject:
Film, Television and Radio, Film

This chapter considers the subject of this book: the work of a contemporary Spanish film director, Daniel Calparsoro, in auteurist terms. This study of Calparsoro discusses not only Calparsoro's ... More


The New American History: Cimarron, 1931

J.E. Smyth

in Reconstructing American Historical Cinema: From Cimarron to Citizen Kane

Published in print:
2006
Published Online:
September 2011
ISBN:
9780813124063
eISBN:
9780813134765
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813124063.003.0002
Subject:
Film, Television and Radio, Film

This chapter looks at the 1931 historical film Cimarron. This film was based on Edna Ferber's novel and it was directed by Wesley Ruggles. This chapter suggests that this film pioneered a technique ... More


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