Alnoor Bhimani
- Published in print:
- 2003
- Published Online:
- August 2004
- ISBN:
- 9780199260386
- eISBN:
- 9780191601231
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199260389.003.0001
- Subject:
- Economics and Finance, Financial Economics
This introductory chapter establishes a common theme for this volume by presenting a definition of the digital economy. The impact of digital technologies on the field management accounting is ...
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This introductory chapter establishes a common theme for this volume by presenting a definition of the digital economy. The impact of digital technologies on the field management accounting is discussed. This is followed by an overview of the chapters in this volume.Less
This introductory chapter establishes a common theme for this volume by presenting a definition of the digital economy. The impact of digital technologies on the field management accounting is discussed. This is followed by an overview of the chapters in this volume.
Alnoor Bhimani (ed.)
- Published in print:
- 2003
- Published Online:
- August 2004
- ISBN:
- 9780199260386
- eISBN:
- 9780191601231
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199260389.001.0001
- Subject:
- Economics and Finance, Financial Economics
This book explores the impact of the digital economy on the practice of management accounting. The digital economy is defined as the digital interrelationships and dependencies between emerging ...
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This book explores the impact of the digital economy on the practice of management accounting. The digital economy is defined as the digital interrelationships and dependencies between emerging communication and information technologies, data transfers along predefined channels and emerging platforms, and related contingencies within and across institutional and organisational entities. The book is divided into three parts. Part 1 discusses accounting and management control systems, and structural changes relating to the advent of digital technologies. Part 2 examines organisationally focused shifts in the face of digitisation trends in the economy. Part 3 looks into the accounting transformations which may be pursued in terms of practice and as concepts.Less
This book explores the impact of the digital economy on the practice of management accounting. The digital economy is defined as the digital interrelationships and dependencies between emerging communication and information technologies, data transfers along predefined channels and emerging platforms, and related contingencies within and across institutional and organisational entities. The book is divided into three parts. Part 1 discusses accounting and management control systems, and structural changes relating to the advent of digital technologies. Part 2 examines organisationally focused shifts in the face of digitisation trends in the economy. Part 3 looks into the accounting transformations which may be pursued in terms of practice and as concepts.
Simon Head
- Published in print:
- 2005
- Published Online:
- October 2011
- ISBN:
- 9780195179835
- eISBN:
- 9780199850211
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195179835.003.0006
- Subject:
- Economics and Finance, Behavioural Economics
This chapter examines the so-called digital assembly line in the contact center industry in the U.S. The hyperefficiency of the software in call centers provided managers with the bundled powers of ...
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This chapter examines the so-called digital assembly line in the contact center industry in the U.S. The hyperefficiency of the software in call centers provided managers with the bundled powers of analysis, surveillance and control, but it also led them to micromanage employees' work. This chapter suggests that the call center industry is in need of renewal because it is an industry emblematic of the digital economy. Managed properly, high-performance call centers can provide good jobs for the non-college educated.Less
This chapter examines the so-called digital assembly line in the contact center industry in the U.S. The hyperefficiency of the software in call centers provided managers with the bundled powers of analysis, surveillance and control, but it also led them to micromanage employees' work. This chapter suggests that the call center industry is in need of renewal because it is an industry emblematic of the digital economy. Managed properly, high-performance call centers can provide good jobs for the non-college educated.
Aaron Perzanowski and Jason Schultz
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780262035019
- eISBN:
- 9780262335959
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262035019.001.0001
- Subject:
- Information Science, Library Science
The digital economy has great potential, but it also entails risks. The notion of personal property and ownership is under threat because of the shift to digital distribution and ubiquitous embedded ...
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The digital economy has great potential, but it also entails risks. The notion of personal property and ownership is under threat because of the shift to digital distribution and ubiquitous embedded software. This book makes a case for the importance of ownership in the digital age. It argues that the rights associated with ownership serve critical functions of promoting cultural preservation and innovation as well as protecting consumer autonomy. Technological developments and the aggressive efforts of IP rights holders, however, are gradually eroding the concept of ownership. There has been a disconcerting trend of courts bypassing the default rules of property law; the rights acquired by consumers through purchase are defined instead by license agreements drafted by IP rights holders or retailers. In addition to license agreements, IP rights holders also employ technological methods such as Digital Rights Management (DRM) to restrict consumer use and protect their intellectual property. The matter is made worse by online retailers’ insufficient disclosure, which frequently uses words like “buy” or “own” to offer false promises of ownership. The loss of personal property rights has serious consequence not just for individual consumers; an important institutional actor – the public library – is also struggling to deal with the shift to digital collections and the corresponding restrictions imposed by IP rights holders. In response to these threats to ownership, the book explores legal as well as technological solutions, and presents a powerful argument for informed consumer choice in the digital marketplace.Less
The digital economy has great potential, but it also entails risks. The notion of personal property and ownership is under threat because of the shift to digital distribution and ubiquitous embedded software. This book makes a case for the importance of ownership in the digital age. It argues that the rights associated with ownership serve critical functions of promoting cultural preservation and innovation as well as protecting consumer autonomy. Technological developments and the aggressive efforts of IP rights holders, however, are gradually eroding the concept of ownership. There has been a disconcerting trend of courts bypassing the default rules of property law; the rights acquired by consumers through purchase are defined instead by license agreements drafted by IP rights holders or retailers. In addition to license agreements, IP rights holders also employ technological methods such as Digital Rights Management (DRM) to restrict consumer use and protect their intellectual property. The matter is made worse by online retailers’ insufficient disclosure, which frequently uses words like “buy” or “own” to offer false promises of ownership. The loss of personal property rights has serious consequence not just for individual consumers; an important institutional actor – the public library – is also struggling to deal with the shift to digital collections and the corresponding restrictions imposed by IP rights holders. In response to these threats to ownership, the book explores legal as well as technological solutions, and presents a powerful argument for informed consumer choice in the digital marketplace.
Catherine Zimmer
- Published in print:
- 2015
- Published Online:
- September 2016
- ISBN:
- 9781479864379
- eISBN:
- 9781479876853
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479864379.003.0003
- Subject:
- Society and Culture, Media Studies
This chapter focuses on how surveillance cinema incorporates the consumer-subject in the era of home video, online networking, and “dataveillance.” By positing Debord’s account of the “spectacle” as ...
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This chapter focuses on how surveillance cinema incorporates the consumer-subject in the era of home video, online networking, and “dataveillance.” By positing Debord’s account of the “spectacle” as a necessary element of surveillance in a consumer economy, the chapter argues that consumer-level surveillance in cinema is best approached through “compulsive documentation” films—films shot entirely in first-person-camera style and based on the premise that the entire narrative is directly presented through “real” footage shot on consumer video equipment, such as The Blair Witch Project and Paranormal Activity. Even as first-person and found-footage conceits seek to present a direct, individualized perspective, they are best understood as a phenomenon through their tremendously successful interactive online marketing campaigns and their diffusion of the cinematic experience into the “virtual” space of internet communities and digital economies. By showing the formal and structural contiguities between the narrative and technical elements of these films, their marketing campaigns, social media, and internet consumption, this chapter shows how co-defining subjective experience and surveillance have become in a digital economy, and the part that video mediation plays in establishing that relation.Less
This chapter focuses on how surveillance cinema incorporates the consumer-subject in the era of home video, online networking, and “dataveillance.” By positing Debord’s account of the “spectacle” as a necessary element of surveillance in a consumer economy, the chapter argues that consumer-level surveillance in cinema is best approached through “compulsive documentation” films—films shot entirely in first-person-camera style and based on the premise that the entire narrative is directly presented through “real” footage shot on consumer video equipment, such as The Blair Witch Project and Paranormal Activity. Even as first-person and found-footage conceits seek to present a direct, individualized perspective, they are best understood as a phenomenon through their tremendously successful interactive online marketing campaigns and their diffusion of the cinematic experience into the “virtual” space of internet communities and digital economies. By showing the formal and structural contiguities between the narrative and technical elements of these films, their marketing campaigns, social media, and internet consumption, this chapter shows how co-defining subjective experience and surveillance have become in a digital economy, and the part that video mediation plays in establishing that relation.
Aaron Perzanowski and Jason Schultz
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780262035019
- eISBN:
- 9780262335959
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262035019.003.0001
- Subject:
- Information Science, Library Science
This chapter observes two trends: the rise of the digital marketplace as the result of technological development and the decline of ownership due to aggressive intellectual property laws, restrictive ...
More
This chapter observes two trends: the rise of the digital marketplace as the result of technological development and the decline of ownership due to aggressive intellectual property laws, restrictive contractual provisions and technological locks. Admittedly, the market offers consumers a choice between ownership and more conditional, impermanent access to goods, but because of the asymmetric information possessed by consumers and retailers or IP rights holders, consumers frequently cannot make informed decisions. This leads to the loss of control over the goods they purchase; more importantly, the lack of ownership rights has serious implications for cultural preservation, innovation and consumer autonomy. The rest of the book unfolds by detailing how consumers and IP rights holders contend for control over physical and digital goods in various areas.Less
This chapter observes two trends: the rise of the digital marketplace as the result of technological development and the decline of ownership due to aggressive intellectual property laws, restrictive contractual provisions and technological locks. Admittedly, the market offers consumers a choice between ownership and more conditional, impermanent access to goods, but because of the asymmetric information possessed by consumers and retailers or IP rights holders, consumers frequently cannot make informed decisions. This leads to the loss of control over the goods they purchase; more importantly, the lack of ownership rights has serious implications for cultural preservation, innovation and consumer autonomy. The rest of the book unfolds by detailing how consumers and IP rights holders contend for control over physical and digital goods in various areas.
Gabriella Giannachi
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780262035293
- eISBN:
- 9780262335416
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262035293.003.0006
- Subject:
- Society and Culture, Media Studies
This Chapter looks at the role played by transmission of the archive through the body, drawing from performance studies, bioart, database aesthetics and history of science to look at what becomes of ...
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This Chapter looks at the role played by transmission of the archive through the body, drawing from performance studies, bioart, database aesthetics and history of science to look at what becomes of the archive in the era of genomic experimentation. Drawing on economics, the chapter establishes the role played by the archive within the digital economy showing how the archive evolved for each of the industrial revolutions that occurred since the 18th century. Additionally, the Chapter analyzes the role played by the archive in the development of smart objects within the internet of things. The case studies for this chapter include work by the Musée de la Danse; George Legrady; Natalie Bookchin; Eduardo Kac; Christine Borland; and Lynn Hershman Leeson’s Infinity Engine, in which the human being has become its own (a-)live archive, one that, through regenerative medicine, can be modified inside out.Less
This Chapter looks at the role played by transmission of the archive through the body, drawing from performance studies, bioart, database aesthetics and history of science to look at what becomes of the archive in the era of genomic experimentation. Drawing on economics, the chapter establishes the role played by the archive within the digital economy showing how the archive evolved for each of the industrial revolutions that occurred since the 18th century. Additionally, the Chapter analyzes the role played by the archive in the development of smart objects within the internet of things. The case studies for this chapter include work by the Musée de la Danse; George Legrady; Natalie Bookchin; Eduardo Kac; Christine Borland; and Lynn Hershman Leeson’s Infinity Engine, in which the human being has become its own (a-)live archive, one that, through regenerative medicine, can be modified inside out.
Gabriella Giannachi
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780262035293
- eISBN:
- 9780262335416
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262035293.001.0001
- Subject:
- Society and Culture, Media Studies
This book traces the evolution of the archive across the centuries by looking at primitive, Medieval, Renaissance, Victorian and contemporary archives. Crucially, the book evidences the fluidity and ...
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This book traces the evolution of the archive across the centuries by looking at primitive, Medieval, Renaissance, Victorian and contemporary archives. Crucially, the book evidences the fluidity and potential inter-changeability between libraries, archives and museums. A number of case studies offer an insight into the operation of a variety of different types of archives, including cabinets of curiosity, archival artforms, architectures, performances, road-shows, time capsules, social media documentation practices, databases, and a variety of museological web-based heritage platforms. The archive is shown to play a crucial role in how individuals and social groups administer themselves through and within a burgeoning social memory apparatus. This is why at the heart of every industrial revolution thus far, the archive continues to contribute to the way we store, preserve and generate knowledge through an accumulation of documents, artifacts, objects, as well as ephemera and even debris. The archive has always been strategic for different types of economies, including the digital economy and the internet of things. Shown here to increasingly affect to the way we map, produce, and share knowledge, the apparatus of the archive, which allows us to continuously renew who we are in relation to the past, so that new futures may become possible, now effectively pervades almost every aspect of our lives.Less
This book traces the evolution of the archive across the centuries by looking at primitive, Medieval, Renaissance, Victorian and contemporary archives. Crucially, the book evidences the fluidity and potential inter-changeability between libraries, archives and museums. A number of case studies offer an insight into the operation of a variety of different types of archives, including cabinets of curiosity, archival artforms, architectures, performances, road-shows, time capsules, social media documentation practices, databases, and a variety of museological web-based heritage platforms. The archive is shown to play a crucial role in how individuals and social groups administer themselves through and within a burgeoning social memory apparatus. This is why at the heart of every industrial revolution thus far, the archive continues to contribute to the way we store, preserve and generate knowledge through an accumulation of documents, artifacts, objects, as well as ephemera and even debris. The archive has always been strategic for different types of economies, including the digital economy and the internet of things. Shown here to increasingly affect to the way we map, produce, and share knowledge, the apparatus of the archive, which allows us to continuously renew who we are in relation to the past, so that new futures may become possible, now effectively pervades almost every aspect of our lives.
Graham Room
- Published in print:
- 2005
- Published Online:
- March 2012
- ISBN:
- 9781861347398
- eISBN:
- 9781447303787
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781861347398.003.0005
- Subject:
- Sociology, Comparative and Historical Sociology
This chapter aims to examine the new knowledge-based economy. It also seeks to determine the major challenges that this economy presents for policy makers and to suggest tools which they might use ...
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This chapter aims to examine the new knowledge-based economy. It also seeks to determine the major challenges that this economy presents for policy makers and to suggest tools which they might use for monitoring change and for steering social and economic transformation. It explains that the focus on the digital economy tends to divert attention from the organisational and managerial changes that appear to be central to the new economy if the full benefits for competitiveness are to be realised. It clarifies that ICT investments must be combined with new managerial and organisational techniques and a skilled labour force that gives rise to vital competitiveness improvements.Less
This chapter aims to examine the new knowledge-based economy. It also seeks to determine the major challenges that this economy presents for policy makers and to suggest tools which they might use for monitoring change and for steering social and economic transformation. It explains that the focus on the digital economy tends to divert attention from the organisational and managerial changes that appear to be central to the new economy if the full benefits for competitiveness are to be realised. It clarifies that ICT investments must be combined with new managerial and organisational techniques and a skilled labour force that gives rise to vital competitiveness improvements.
Catherine Zimmer
- Published in print:
- 2015
- Published Online:
- September 2016
- ISBN:
- 9781479864379
- eISBN:
- 9781479876853
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479864379.001.0001
- Subject:
- Society and Culture, Media Studies
Surveillance Cinema examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. The book combines detailed close analysis of ...
More
Surveillance Cinema examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. The book combines detailed close analysis of films with contemporary media theory, political philosophy, and surveillance studies to argue that developments in cinematic and televisual narration are inseparable from the ever-widening role of surveillance in democratic state power and consumer economies. Surveillance Cinema offers analysis of some of the most significant trends in surveillance narratives ranging from Enemy of the State and the Bourne series to Caché, Saw, Paranormal Activity, Zero Dark Thirty, and 24, as well as a theoretical and historical reexamination of the relationship between cinema and surveillance that takes into consideration the formal elements of visual narrative and the technological bases of both cinema and surveillance. What Zimmer calls “surveillance cinema” refers not only to recurrent narrative tropes or the development of stylistic practices, but also to the multiple and reversible mediations of cinematic narration through which surveillance is constituted as representational and representation becomes a function of surveillance. This book thus provides a connective thread between numerous intersections of surveillance and media, including the political rhetoric of counterterrorism and genre development in action-thrillers, the historical and shifting production of racial formations through the overlapping systems of cinema and surveillance, the positioning of media consumers within a digital surveillance economy, and the use of cinematic technique to structure geopolitical identities.Less
Surveillance Cinema examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. The book combines detailed close analysis of films with contemporary media theory, political philosophy, and surveillance studies to argue that developments in cinematic and televisual narration are inseparable from the ever-widening role of surveillance in democratic state power and consumer economies. Surveillance Cinema offers analysis of some of the most significant trends in surveillance narratives ranging from Enemy of the State and the Bourne series to Caché, Saw, Paranormal Activity, Zero Dark Thirty, and 24, as well as a theoretical and historical reexamination of the relationship between cinema and surveillance that takes into consideration the formal elements of visual narrative and the technological bases of both cinema and surveillance. What Zimmer calls “surveillance cinema” refers not only to recurrent narrative tropes or the development of stylistic practices, but also to the multiple and reversible mediations of cinematic narration through which surveillance is constituted as representational and representation becomes a function of surveillance. This book thus provides a connective thread between numerous intersections of surveillance and media, including the political rhetoric of counterterrorism and genre development in action-thrillers, the historical and shifting production of racial formations through the overlapping systems of cinema and surveillance, the positioning of media consumers within a digital surveillance economy, and the use of cinematic technique to structure geopolitical identities.
