Frank Fischer
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780199282838
- eISBN:
- 9780191712487
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199282838.003.0007
- Subject:
- Political Science, Comparative Politics
This chapter demonstrates the ways in which policy is more fundamentally a sociopolitical construct than technical/instrumental tool, as it is approached in much of policy science. Employing a ...
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This chapter demonstrates the ways in which policy is more fundamentally a sociopolitical construct than technical/instrumental tool, as it is approached in much of policy science. Employing a constructivist sociology of knowledge, the discussion illustrates the ways in which a policy is a product of multiple realities and, as such, is as much a matter for interpretive analysis as it is techno-empirical assessment. To clarify the theoretical position, the second half of the chapter demonstrates the point through the political struggle over sustainable development in environmental policy. Beyond technical knowledge, the case points to how policies are socially experienced — in particular, how they supply citizens with the social sense of collective participation in mutual ventures with fellow members of their own communities.Less
This chapter demonstrates the ways in which policy is more fundamentally a sociopolitical construct than technical/instrumental tool, as it is approached in much of policy science. Employing a constructivist sociology of knowledge, the discussion illustrates the ways in which a policy is a product of multiple realities and, as such, is as much a matter for interpretive analysis as it is techno-empirical assessment. To clarify the theoretical position, the second half of the chapter demonstrates the point through the political struggle over sustainable development in environmental policy. Beyond technical knowledge, the case points to how policies are socially experienced — in particular, how they supply citizens with the social sense of collective participation in mutual ventures with fellow members of their own communities.
Catherine Durose and Liz Richardson
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781447316695
- eISBN:
- 9781447316718
- Item type:
- book
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447316695.001.0001
- Subject:
- Political Science, Public Policy
By linking contemporary practice using design principles in policy with political science and public administration theories, this book offers a distinctive contribution to debates on policy design. ...
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By linking contemporary practice using design principles in policy with political science and public administration theories, this book offers a distinctive contribution to debates on policy design. The book is conceived as a conversation between theory and practice. It goes beyond traditional scholarship to offer not solely a critique of what exists, but to set out proposals for alternatives. Policy design is fundamentally about substantive and instrumental ambitions to achieve better policy outcomes. In the face of glaring inadequacies and limitations in addressing many of the complex challenges we face as a society, this book challenges conventional policy design and opens up a conversation about how to imagine and realise a radically democratic alternative form of policy design: co-production. First, through a series of heuristics, the book generates theoretical tensions and encourages creative thinking about policy design. Then, compelling international contributions from practitioners, policy makers, activists and engaged scholars provide specific contexts for these theoretical debates. In doing so, the book provides both a framing and grounding for ongoing debates and provides a means for advancing experimentation in policy design.Less
By linking contemporary practice using design principles in policy with political science and public administration theories, this book offers a distinctive contribution to debates on policy design. The book is conceived as a conversation between theory and practice. It goes beyond traditional scholarship to offer not solely a critique of what exists, but to set out proposals for alternatives. Policy design is fundamentally about substantive and instrumental ambitions to achieve better policy outcomes. In the face of glaring inadequacies and limitations in addressing many of the complex challenges we face as a society, this book challenges conventional policy design and opens up a conversation about how to imagine and realise a radically democratic alternative form of policy design: co-production. First, through a series of heuristics, the book generates theoretical tensions and encourages creative thinking about policy design. Then, compelling international contributions from practitioners, policy makers, activists and engaged scholars provide specific contexts for these theoretical debates. In doing so, the book provides both a framing and grounding for ongoing debates and provides a means for advancing experimentation in policy design.
Catherine Durose and Liz Richardson
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781447316695
- eISBN:
- 9781447316718
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447316695.003.0018
- Subject:
- Political Science, Public Policy
Chapter Five considers the governance arrangements which could facilitate co-productive policy design. Moving towards co-productive policy design poses difficult questions and a series of dilemmas ...
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Chapter Five considers the governance arrangements which could facilitate co-productive policy design. Moving towards co-productive policy design poses difficult questions and a series of dilemmas for participants. Attempts to re-constitute the policy process do not exist within a vacuum and conventional policy designs can feel deeply entrenched and immutable to change. Through both theorising and working with the grounded powerful reflections on co-production from policy-makers, practitioners, activists and engaged scholars, this book embodies the importance and value of experimentation in policy design. It has demonstrated a growing appetite for change in a context that makes it more daunting but more important than ever.Less
Chapter Five considers the governance arrangements which could facilitate co-productive policy design. Moving towards co-productive policy design poses difficult questions and a series of dilemmas for participants. Attempts to re-constitute the policy process do not exist within a vacuum and conventional policy designs can feel deeply entrenched and immutable to change. Through both theorising and working with the grounded powerful reflections on co-production from policy-makers, practitioners, activists and engaged scholars, this book embodies the importance and value of experimentation in policy design. It has demonstrated a growing appetite for change in a context that makes it more daunting but more important than ever.
Aksel Ersoy (ed.)
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9781447330288
- eISBN:
- 9781447330332
- Item type:
- book
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447330288.001.0001
- Subject:
- Sociology, Social Theory
This book brings together scholars, artists, practitioners, and community activists to explore the possibilities for — and tensions of — social justice work through collaboration between communities ...
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This book brings together scholars, artists, practitioners, and community activists to explore the possibilities for — and tensions of — social justice work through collaboration between communities and the academy. Amid a widespread institutional emphasis on increased involvement and co-production with the community, what can we expect when long-established community-oriented research practices collide with the day-to-day work of activism? How should we think about the key tenets and terms of that research, and the ongoing critique of them mounted by activists, artists, and other community members? Deploying case studies from the United Kingdom, Australia, Sweden, and Canada, and taking in universities, independent research organizations, and museums and galleries, this book breaks new ground in our understanding of the possibilities, and pitfalls, of co-production.Less
This book brings together scholars, artists, practitioners, and community activists to explore the possibilities for — and tensions of — social justice work through collaboration between communities and the academy. Amid a widespread institutional emphasis on increased involvement and co-production with the community, what can we expect when long-established community-oriented research practices collide with the day-to-day work of activism? How should we think about the key tenets and terms of that research, and the ongoing critique of them mounted by activists, artists, and other community members? Deploying case studies from the United Kingdom, Australia, Sweden, and Canada, and taking in universities, independent research organizations, and museums and galleries, this book breaks new ground in our understanding of the possibilities, and pitfalls, of co-production.
Elizabeth Pente and Paul Ward
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781447333302
- eISBN:
- 9781447333357
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447333302.003.0004
- Subject:
- Social Work, Communities and Organizations
This chapter addresses the question of how historical knowledge can help one to make sense of communities like Rotherham. It first considers what counts as ‘historical knowledge’, and examines the ...
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This chapter addresses the question of how historical knowledge can help one to make sense of communities like Rotherham. It first considers what counts as ‘historical knowledge’, and examines the limitations of historiography in producing histories at a local level, where issues of class, gender, and ethnicity are played out in people's everyday lives. The chapter then explores how historians are expanding what counts for historical knowledge — in particular, the co-production of research, which can be defined as research with people rather than on people. It also provides some real-world examples of co-production in action. Finally, the chapter provides some arguments as to why historical knowledge matters.Less
This chapter addresses the question of how historical knowledge can help one to make sense of communities like Rotherham. It first considers what counts as ‘historical knowledge’, and examines the limitations of historiography in producing histories at a local level, where issues of class, gender, and ethnicity are played out in people's everyday lives. The chapter then explores how historians are expanding what counts for historical knowledge — in particular, the co-production of research, which can be defined as research with people rather than on people. It also provides some real-world examples of co-production in action. Finally, the chapter provides some arguments as to why historical knowledge matters.
Adam Arvidsson and Giannino Malossi
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780199576746
- eISBN:
- 9780191724916
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199576746.003.0010
- Subject:
- Business and Management, Marketing
This chapter attempts to address historicize forms of customer co-production. Drawing on the development of Italian fashion, it presents two historical ideal types of how customers have been ...
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This chapter attempts to address historicize forms of customer co-production. Drawing on the development of Italian fashion, it presents two historical ideal types of how customers have been integrated within the value chains of the culture and creative industries — “social factory” and “brand.” In the “social factory” model, customers (and other external actors) are mainly used to supply input for product innovation. In the “brand” phase the productive contribution of customers becomes not primarily that of developing new products, but of co-creating an environment in which certain kinds of value conventions can operate. This entails different strategies of governance, such as the marketing of a generic form of “creativity” as a social ideal, which can easily be confused with emancipatory developments.Less
This chapter attempts to address historicize forms of customer co-production. Drawing on the development of Italian fashion, it presents two historical ideal types of how customers have been integrated within the value chains of the culture and creative industries — “social factory” and “brand.” In the “social factory” model, customers (and other external actors) are mainly used to supply input for product innovation. In the “brand” phase the productive contribution of customers becomes not primarily that of developing new products, but of co-creating an environment in which certain kinds of value conventions can operate. This entails different strategies of governance, such as the marketing of a generic form of “creativity” as a social ideal, which can easily be confused with emancipatory developments.
Sally Witcher
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9781447300038
- eISBN:
- 9781447307730
- Item type:
- book
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447300038.001.0001
- Subject:
- Sociology, Social Stratification, Inequality, and Mobility
In an era of ongoing economic failures, as governments cut support to the poorest, the richest continue to get richer and those in-between are squeezed by rising costs and flagging incomes, the ...
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In an era of ongoing economic failures, as governments cut support to the poorest, the richest continue to get richer and those in-between are squeezed by rising costs and flagging incomes, the challenges for social cohesion – and for social justice – seem overwhelming. As inequality increases, it can become harder to empathise with life experiences far removed from our own, particularly when fuelled by a sense of injustice. Our samenesses and our differences can remain unseen, unvalued or misunderstood. In this ambitious, wide-ranging book, the author sets out a vision for social justice as ’inclusive equality’, where barriers to equality and inclusion are removed to the maximum extent possible while preserving and strengthening social cohesion.Weaving together themes from the theoretical literatures on social justice, poverty, discrimination and social exclusion, she explores relationships between equality, diversity and inclusion - a novel approach that reveals clear, practical implications for the design and delivery of social policy.Less
In an era of ongoing economic failures, as governments cut support to the poorest, the richest continue to get richer and those in-between are squeezed by rising costs and flagging incomes, the challenges for social cohesion – and for social justice – seem overwhelming. As inequality increases, it can become harder to empathise with life experiences far removed from our own, particularly when fuelled by a sense of injustice. Our samenesses and our differences can remain unseen, unvalued or misunderstood. In this ambitious, wide-ranging book, the author sets out a vision for social justice as ’inclusive equality’, where barriers to equality and inclusion are removed to the maximum extent possible while preserving and strengthening social cohesion.Weaving together themes from the theoretical literatures on social justice, poverty, discrimination and social exclusion, she explores relationships between equality, diversity and inclusion - a novel approach that reveals clear, practical implications for the design and delivery of social policy.
Catherine Durose and Liz Richardson
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781447316695
- eISBN:
- 9781447316718
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447316695.003.0004
- Subject:
- Political Science, Public Policy
Chapter Three explores the contrast to conventional policy design, developing a heuristic to consider co-production as a radical alternative. Co-production has become a ubiquitous term in ...
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Chapter Three explores the contrast to conventional policy design, developing a heuristic to consider co-production as a radical alternative. Co-production has become a ubiquitous term in contemporary policy, which builds on a rich, diverse and contested lineage of theory and experimentation. Advocating co-production rests on the recognition that there are complex problems that cannot be solved without governments, but that governments alone cannot solve. This chapter sets outs a heuristic which considers the vision–the valued outcomes pursued in co-production–and the grammar–the activities used in this pursuit. Whilst doing so, there is a recognition that co-production will not occur simply through espousing its theoretical benefits and considering its design. Grounded attempts to generate, exemplify and pre-figure co-productive policy design are therefore useful in meeting this daunting challenge.Less
Chapter Three explores the contrast to conventional policy design, developing a heuristic to consider co-production as a radical alternative. Co-production has become a ubiquitous term in contemporary policy, which builds on a rich, diverse and contested lineage of theory and experimentation. Advocating co-production rests on the recognition that there are complex problems that cannot be solved without governments, but that governments alone cannot solve. This chapter sets outs a heuristic which considers the vision–the valued outcomes pursued in co-production–and the grammar–the activities used in this pursuit. Whilst doing so, there is a recognition that co-production will not occur simply through espousing its theoretical benefits and considering its design. Grounded attempts to generate, exemplify and pre-figure co-productive policy design are therefore useful in meeting this daunting challenge.
Catherine Durose and Liz Richardson
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781447316695
- eISBN:
- 9781447316718
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447316695.003.0017
- Subject:
- Political Science, Public Policy
A combination of theory and practice are used in Chapter Four to challenge, deepen and develop our theorising. The chapter discusses some of the tough questions and dilemmas raised by the ...
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A combination of theory and practice are used in Chapter Four to challenge, deepen and develop our theorising. The chapter discusses some of the tough questions and dilemmas raised by the conversation between the opening chapters and the contributions from practitioners, policy-makers, activists and engaged scholars. The chapter reinforces the need for change in conventional policy design, but what is clearly articulated is the growing questioning of the limitations, appropriateness and sustainability of the conventional policy process from in and outside. Nevertheless, the scope for change is constrained by the difficulties of establishing new ways of doing, regardless of the level of commitment to the ideas. Even recognising the agency and efficacy of those up for the challenge, co-production remains a ‘daunting’ ambition. The theorising and empirical insights in this book show us that we should remain hopeful about the prospect for change.Less
A combination of theory and practice are used in Chapter Four to challenge, deepen and develop our theorising. The chapter discusses some of the tough questions and dilemmas raised by the conversation between the opening chapters and the contributions from practitioners, policy-makers, activists and engaged scholars. The chapter reinforces the need for change in conventional policy design, but what is clearly articulated is the growing questioning of the limitations, appropriateness and sustainability of the conventional policy process from in and outside. Nevertheless, the scope for change is constrained by the difficulties of establishing new ways of doing, regardless of the level of commitment to the ideas. Even recognising the agency and efficacy of those up for the challenge, co-production remains a ‘daunting’ ambition. The theorising and empirical insights in this book show us that we should remain hopeful about the prospect for change.
Sue Cohen and Morag McDermont
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781447324157
- eISBN:
- 9781447324171
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447324157.003.0004
- Subject:
- Sociology, Urban and Rural Studies
This chapter begins with the story of the Single Parent Action Network (SPAN) and its involvement in an ambitious urban regeneration project in the early 2000’s, a venture that then fell apart under ...
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This chapter begins with the story of the Single Parent Action Network (SPAN) and its involvement in an ambitious urban regeneration project in the early 2000’s, a venture that then fell apart under the pressures of ‘austerity’. This ‘post-regeneration’ story demonstrates the ways in which changes in urban policy shape and interact with the lived reality of the organisations, people and social structures that the policy is focused upon. The second part of the chapter uses this story to reflect on the rationale and research focus of ‘Productive Margins: Regulating for Engagement’, a Connected Communities research programme involving SPAN and other community organisations in Bristol and South Wales. Productive Margins draws upon the experience and expertise of SPAN and the partner organisations to co-produce research which examines the regulatory mechanisms that enmesh the everyday activities of communities, and to experiment with ways of regulating for engagement.Less
This chapter begins with the story of the Single Parent Action Network (SPAN) and its involvement in an ambitious urban regeneration project in the early 2000’s, a venture that then fell apart under the pressures of ‘austerity’. This ‘post-regeneration’ story demonstrates the ways in which changes in urban policy shape and interact with the lived reality of the organisations, people and social structures that the policy is focused upon. The second part of the chapter uses this story to reflect on the rationale and research focus of ‘Productive Margins: Regulating for Engagement’, a Connected Communities research programme involving SPAN and other community organisations in Bristol and South Wales. Productive Margins draws upon the experience and expertise of SPAN and the partner organisations to co-produce research which examines the regulatory mechanisms that enmesh the everyday activities of communities, and to experiment with ways of regulating for engagement.
Steve Pool and Kate Pahl
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781447324157
- eISBN:
- 9781447324171
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447324157.003.0006
- Subject:
- Sociology, Urban and Rural Studies
This chapter considers how arts and humanities approaches can offer a different lens which expands possibilities in terms of ways of knowing and ways of communicating. This process can then make ...
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This chapter considers how arts and humanities approaches can offer a different lens which expands possibilities in terms of ways of knowing and ways of communicating. This process can then make space for different voices to come to the fore and can raise issues of power, meaning and ambiguity. The chapter considers the potential of co-production as a methodology to do this. In community contexts it might mean shifting attention away from preferred ways of knowing and being to unfamiliar ways of knowing and being for all involved. The chapter suggests that there is the potential for spatially situated methodologies to surface different kinds of knowledge. The chapter suggests that society needs to build new ways of knowing together. The chapter provides for example an experience of co-producing a film with the youth service and a group of young people in Rotherham for the Department for Communities and Local Government (DCLG).Less
This chapter considers how arts and humanities approaches can offer a different lens which expands possibilities in terms of ways of knowing and ways of communicating. This process can then make space for different voices to come to the fore and can raise issues of power, meaning and ambiguity. The chapter considers the potential of co-production as a methodology to do this. In community contexts it might mean shifting attention away from preferred ways of knowing and being to unfamiliar ways of knowing and being for all involved. The chapter suggests that there is the potential for spatially situated methodologies to surface different kinds of knowledge. The chapter suggests that society needs to build new ways of knowing together. The chapter provides for example an experience of co-producing a film with the youth service and a group of young people in Rotherham for the Department for Communities and Local Government (DCLG).
Clyde Ancarno, Oliver Davis, and David Wyatt
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781447324157
- eISBN:
- 9781447324171
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447324157.003.0008
- Subject:
- Sociology, Urban and Rural Studies
Caerau Hillfort, is by far the largest Iron-Age hillfort in south Glamorgan. The housing estates that surround this monument are home to more than 25,000 people – the largest social housing estates ...
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Caerau Hillfort, is by far the largest Iron-Age hillfort in south Glamorgan. The housing estates that surround this monument are home to more than 25,000 people – the largest social housing estates in Wales. Despite strong community ties, the people that live there are burdened by significant social and economic deprivation, particularly high unemployment. The Caerau and Ely Rediscovering Heritage (CAER) project seeks utilise this community’s rich and untapped heritage assets and local expertise to develop educational and life opportunities: building confidence, challenging negative stereotypes and realising the positive potential of the process of research co-production. This chapter provides a summary of key aspects of the literature surrounding participation and co-production in Wales. It explores CAER’s approach to co-production within this context, analysing the reflections of a small group of community members regarding their involvement in two major community excavations which took place in June-July 2013 and 2014.Less
Caerau Hillfort, is by far the largest Iron-Age hillfort in south Glamorgan. The housing estates that surround this monument are home to more than 25,000 people – the largest social housing estates in Wales. Despite strong community ties, the people that live there are burdened by significant social and economic deprivation, particularly high unemployment. The Caerau and Ely Rediscovering Heritage (CAER) project seeks utilise this community’s rich and untapped heritage assets and local expertise to develop educational and life opportunities: building confidence, challenging negative stereotypes and realising the positive potential of the process of research co-production. This chapter provides a summary of key aspects of the literature surrounding participation and co-production in Wales. It explores CAER’s approach to co-production within this context, analysing the reflections of a small group of community members regarding their involvement in two major community excavations which took place in June-July 2013 and 2014.
Chris Speed, Amadu Wurie Khan, and Martin Phillips
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781447324157
- eISBN:
- 9781447324171
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447324157.003.0010
- Subject:
- Sociology, Urban and Rural Studies
This chapter explores how concepts and vocabularies emerging in relation to digital culture provided the context from which a public artwork, the ‘digital totem pole’ was created in Wester Hailes, ...
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This chapter explores how concepts and vocabularies emerging in relation to digital culture provided the context from which a public artwork, the ‘digital totem pole’ was created in Wester Hailes, Edinburgh, Scotland. The chapter specifically considers how the digital media practices of ‘hacking’ and ‘read–writing’ provided the conceptual framework for the design of the physical digital platform. The relevance of the pole’s design and practicality to contemporary governance in the context of the ‘Big Society’ agenda, community engagement and regeneration is also considered. The chapter also highlights that this form of ‘hacking-inspired’ community art was possible through co-production between researchers and local residents. The chapter highlights the heuristic nature of the design intervention, and the risks of employing discourses derived from digital media culture to inform and inspire new models of governance, social reality and community regeneration.Less
This chapter explores how concepts and vocabularies emerging in relation to digital culture provided the context from which a public artwork, the ‘digital totem pole’ was created in Wester Hailes, Edinburgh, Scotland. The chapter specifically considers how the digital media practices of ‘hacking’ and ‘read–writing’ provided the conceptual framework for the design of the physical digital platform. The relevance of the pole’s design and practicality to contemporary governance in the context of the ‘Big Society’ agenda, community engagement and regeneration is also considered. The chapter also highlights that this form of ‘hacking-inspired’ community art was possible through co-production between researchers and local residents. The chapter highlights the heuristic nature of the design intervention, and the risks of employing discourses derived from digital media culture to inform and inspire new models of governance, social reality and community regeneration.
Soojeong Ahn
- Published in print:
- 2011
- Published Online:
- May 2012
- ISBN:
- 9789888083589
- eISBN:
- 9789882209268
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888083589.003.0005
- Subject:
- Film, Television and Radio, Film
This chapter uncovers a new function of festivals and investigates their interrelationships with production, exhibition and distribution branches of traditional film industries. Focusing on the Pusan ...
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This chapter uncovers a new function of festivals and investigates their interrelationships with production, exhibition and distribution branches of traditional film industries. Focusing on the Pusan Promotion Plan, a project market in which new Asian feature films could seek co-financing and co-production partners, the chapter argues that film festivals today have begun to play a new role in the global film industry as an effective producer by actively engaging the production process as well as exhibition and distribution partners. The chapter shows how the PPP helped further Pusan's and PIFF's regionalization strategy.Less
This chapter uncovers a new function of festivals and investigates their interrelationships with production, exhibition and distribution branches of traditional film industries. Focusing on the Pusan Promotion Plan, a project market in which new Asian feature films could seek co-financing and co-production partners, the chapter argues that film festivals today have begun to play a new role in the global film industry as an effective producer by actively engaging the production process as well as exhibition and distribution partners. The chapter shows how the PPP helped further Pusan's and PIFF's regionalization strategy.
Michelle Farr
- Published in print:
- 2011
- Published Online:
- May 2012
- ISBN:
- 9781847427519
- eISBN:
- 9781447305590
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781847427519.003.0008
- Subject:
- Social Work, Research and Evaluation
This chapter analyses collaborative forms of participation that involve both users and front-line staff in the process of creating public service improvements and innovations. Often called ...
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This chapter analyses collaborative forms of participation that involve both users and front-line staff in the process of creating public service improvements and innovations. Often called co-production, co-design or co-creation, these participative mechanisms are designed to promote and value the experience, skills and knowledge of users, developing partnerships between service users and public service staff to redesign and produce services that promote dignity, welfare and well-being. The analysis investigates how and why these processes might prompt changes, the management practices needed to support these mechanisms, the influence of contextual conditions, power relations and the impact of collaboration. This is achieved using a realist synthesis of co-production, co-design and co-creation cases and expert interviews with facilitators and managers who have been involved in such projects. The chapter draws on research conducted within local government and health service settings. It concludes that whilst co-production does not have the same independence and political character of autonomous action by service users and is thus not able to address broader human rights issues, it can be an effective means of achieving change within organisational boundaries.Less
This chapter analyses collaborative forms of participation that involve both users and front-line staff in the process of creating public service improvements and innovations. Often called co-production, co-design or co-creation, these participative mechanisms are designed to promote and value the experience, skills and knowledge of users, developing partnerships between service users and public service staff to redesign and produce services that promote dignity, welfare and well-being. The analysis investigates how and why these processes might prompt changes, the management practices needed to support these mechanisms, the influence of contextual conditions, power relations and the impact of collaboration. This is achieved using a realist synthesis of co-production, co-design and co-creation cases and expert interviews with facilitators and managers who have been involved in such projects. The chapter draws on research conducted within local government and health service settings. It concludes that whilst co-production does not have the same independence and political character of autonomous action by service users and is thus not able to address broader human rights issues, it can be an effective means of achieving change within organisational boundaries.
Clare Evans and Ray Jones
- Published in print:
- 2011
- Published Online:
- May 2012
- ISBN:
- 9781847427519
- eISBN:
- 9781447305590
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781847427519.003.0009
- Subject:
- Social Work, Research and Evaluation
This chapter describes how the changes in emphasis in social policy nationally and locally have required service users to adapt patterns of user involvement, and considers the role of user-controlled ...
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This chapter describes how the changes in emphasis in social policy nationally and locally have required service users to adapt patterns of user involvement, and considers the role of user-controlled organisations in supporting and driving such changes. It is written from the perspective of a disabled woman who led the development of user involvement in one local authority area and contributed to the national development of disabled people's action, and that of a senior manager of social services who was committed to enabling users to have a voice. The chapter charts changes to social care services for disabled people since the implementation of the 1990 NHS and Community Care Act, including the implementation of Direct Payments; the Disability Equality Duty; Enhancing the Life Chances of Disabled People Report 2005; and the emphasis on personalisation and introduction of individual budgets. It also notes broader changes taking place within local government during this period. Drawing on experience of leading the development of user involvement and user-controlled organisations to support it both in Wiltshire and nationally, the chapter shows how service users have adapted, how they have worked and whom they have influenced.Less
This chapter describes how the changes in emphasis in social policy nationally and locally have required service users to adapt patterns of user involvement, and considers the role of user-controlled organisations in supporting and driving such changes. It is written from the perspective of a disabled woman who led the development of user involvement in one local authority area and contributed to the national development of disabled people's action, and that of a senior manager of social services who was committed to enabling users to have a voice. The chapter charts changes to social care services for disabled people since the implementation of the 1990 NHS and Community Care Act, including the implementation of Direct Payments; the Disability Equality Duty; Enhancing the Life Chances of Disabled People Report 2005; and the emphasis on personalisation and introduction of individual budgets. It also notes broader changes taking place within local government during this period. Drawing on experience of leading the development of user involvement and user-controlled organisations to support it both in Wiltshire and nationally, the chapter shows how service users have adapted, how they have worked and whom they have influenced.
Peter Buse, Núria Triana Toribio, and Andy Willis
- Published in print:
- 2007
- Published Online:
- July 2012
- ISBN:
- 9780719071362
- eISBN:
- 9781781700952
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719071362.003.0019
- Subject:
- Film, Television and Radio, Film
Perdita Durango, by Álex de la Iglesia, was an international co-production with Spanish and Mexican finance. The qualities of its protagonists are at odds with the principles of comedy, which ...
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Perdita Durango, by Álex de la Iglesia, was an international co-production with Spanish and Mexican finance. The qualities of its protagonists are at odds with the principles of comedy, which regulate de la Iglesia's fictional worlds, where there is usually room for neither heroism nor beauty. In the film, the two leads embody a traditional form of wish fulfilment for the spectator, sexual potency and mastery of the world around them. Perdita can be considered as a ferocious parody of timeworn American ideologies about the pleasures of Mexico. It may not say anything empirically valuable about social relations along the US–Mexico border, but it does confirm that the cinema of de la Iglesia is firmly on the side of spectacle and against the traditions of cinematic realism.Less
Perdita Durango, by Álex de la Iglesia, was an international co-production with Spanish and Mexican finance. The qualities of its protagonists are at odds with the principles of comedy, which regulate de la Iglesia's fictional worlds, where there is usually room for neither heroism nor beauty. In the film, the two leads embody a traditional form of wish fulfilment for the spectator, sexual potency and mastery of the world around them. Perdita can be considered as a ferocious parody of timeworn American ideologies about the pleasures of Mexico. It may not say anything empirically valuable about social relations along the US–Mexico border, but it does confirm that the cinema of de la Iglesia is firmly on the side of spectacle and against the traditions of cinematic realism.
Tony Whitehead
- Published in print:
- 2012
- Published Online:
- July 2012
- ISBN:
- 9780719072369
- eISBN:
- 9781781703298
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719072369.003.0034
- Subject:
- Film, Television and Radio, Film
This chapter draws attention to Mike Leigh's feature film, Secrets and Lies that proved to be his most popular film, winning the Palme d'Or and the International Critics' Prize at Cannes and ...
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This chapter draws attention to Mike Leigh's feature film, Secrets and Lies that proved to be his most popular film, winning the Palme d'Or and the International Critics' Prize at Cannes and receiving five Oscar nominations. This chapter draws attention to the fact that this film received a wider UK release than any of his previous work and made huge profit at the box office. The film had also marked a turning point in that it moved Thin Man Films into the European co-production market, funding from the French company CiBY 2000 affording Leigh around twice the budget he had had for his earlier films. Secrets and Lies deals with big issues—among them are love, death, marriage, race, adoption, estrangement and the inability to conceive children.Less
This chapter draws attention to Mike Leigh's feature film, Secrets and Lies that proved to be his most popular film, winning the Palme d'Or and the International Critics' Prize at Cannes and receiving five Oscar nominations. This chapter draws attention to the fact that this film received a wider UK release than any of his previous work and made huge profit at the box office. The film had also marked a turning point in that it moved Thin Man Films into the European co-production market, funding from the French company CiBY 2000 affording Leigh around twice the budget he had had for his earlier films. Secrets and Lies deals with big issues—among them are love, death, marriage, race, adoption, estrangement and the inability to conceive children.
William Gould and Mariam Shah
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781447333302
- eISBN:
- 9781447333357
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447333302.003.0008
- Subject:
- Social Work, Communities and Organizations
This chapter considers alternative histories of urban settlement through the intersection between family and neighbourhood. It proposes a form of co-production that connects specific small-scale ...
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This chapter considers alternative histories of urban settlement through the intersection between family and neighbourhood. It proposes a form of co-production that connects specific small-scale communities not to meta-histories, but to documents that have a specific meaning within their own notions of narrative. The ‘stuff’ of such histories, because they are as much about the private, intimate, and familiar, is about stuff in the home — much of it undiscovered, perhaps only half-realised by families. Many historians have seen this as the ephemera of marginal oral histories. In extension of arguments about the role of oral history made elsewhere, this chapter argues that the connection between the intimate, which includes the material memorabilia and personal documents in homes, and the public community, helps us to explore the ways in which ideas of postcolonial citizenship are related to the idea of the home.Less
This chapter considers alternative histories of urban settlement through the intersection between family and neighbourhood. It proposes a form of co-production that connects specific small-scale communities not to meta-histories, but to documents that have a specific meaning within their own notions of narrative. The ‘stuff’ of such histories, because they are as much about the private, intimate, and familiar, is about stuff in the home — much of it undiscovered, perhaps only half-realised by families. Many historians have seen this as the ephemera of marginal oral histories. In extension of arguments about the role of oral history made elsewhere, this chapter argues that the connection between the intimate, which includes the material memorabilia and personal documents in homes, and the public community, helps us to explore the ways in which ideas of postcolonial citizenship are related to the idea of the home.
Duncan McLaren and Julian Agyeman
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780262029728
- eISBN:
- 9780262329705
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262029728.003.0009
- Subject:
- Environmental Science, Environmental Studies
Chapter 1 examines the contemporary revival of sharing as collaborative consumption in mediated and particularly commercial forms, with examples from food sharing in particular. It reports surveys of ...
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Chapter 1 examines the contemporary revival of sharing as collaborative consumption in mediated and particularly commercial forms, with examples from food sharing in particular. It reports surveys of sharing behaviors, highlighting the role of the Millennial demographic in the growth of the sharing economy. It examines the technical, environmental, economic and cultural drivers of the sharing revival, especially the transfer of norms from sharing on the internet to the real world. It explores the economic logics and disruption of sharing, outlines how incumbent businesses are responding to the sharing paradigm and begins to examine the risks and benefits of an intrusion of commercial sharing into the social realm.Less
Chapter 1 examines the contemporary revival of sharing as collaborative consumption in mediated and particularly commercial forms, with examples from food sharing in particular. It reports surveys of sharing behaviors, highlighting the role of the Millennial demographic in the growth of the sharing economy. It examines the technical, environmental, economic and cultural drivers of the sharing revival, especially the transfer of norms from sharing on the internet to the real world. It explores the economic logics and disruption of sharing, outlines how incumbent businesses are responding to the sharing paradigm and begins to examine the risks and benefits of an intrusion of commercial sharing into the social realm.
