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The Video that Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema

Steven Jacobs

in Framing Pictures: Film and the Visual Arts

Published in print:
2011
Published Online:
September 2012
ISBN:
9780748640171
eISBN:
9780748670901
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748640171.003.0006
Subject:
Film, Television and Radio, Film

While all previous chapters discuss art in film, the paragraphs dealing with the ‘cinematic’ in contemporary photography and video art invert this relation by focusing on film in art. This is also ... More


Fred Forest's Utopia: Media Art and Activism

Michael F. Leruth

Published in print:
2017
Published Online:
May 2018
ISBN:
9780262036498
eISBN:
9780262339926
Item type:
book
Publisher:
The MIT Press
DOI:
10.7551/mitpress/9780262036498.001.0001
Subject:
Art, Visual Culture

This book introduces readers to the iconoclastic work of the French media artist Fred Forest. A pioneer in the fields of video art in the 1960s and internet art in the 1990s, and cofounder of the ... More


Analytical Spaces: The Installations of Péter Forgács

László F. Földényi

in Cinema's Alchemist: The Films of Péter Forgács

Published in print:
2011
Published Online:
August 2015
ISBN:
9780816648740
eISBN:
9781452945972
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816648740.003.0013
Subject:
Film, Television and Radio, Film

This chapter examines the installations of Péter Forgács. The installations of Forgács are life spaces. The space is distributed with precision: the object creates a logical, as well as emotional, ... More


: The Festival, the Factory, and Feedback

Andrew V. Uroskie

in Between the Black Box and the White Cube: Expanded Cinema and Postwar Art

Published in print:
2014
Published Online:
September 2014
ISBN:
9780226842981
eISBN:
9780226109022
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226109022.003.0006
Subject:
Society and Culture, Media Studies

Explores the 1966 New York Film Festival as the paradoxical zenith and culmination of the Expanded Cinema’s popularity within the “film art” community, and the subsequent turn away from established ... More


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