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Authorship and Appropriation: Writing for the Stage in England, 1660-1710

Paulina Kewes

Published in print:
1998
Published Online:
October 2011
ISBN:
9780198184683
eISBN:
9780191674334
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780198184683.001.0001
Subject:
Literature, 17th-century and Restoration Literature, Drama

This book studies the cultural and economic status of playwriting in the later 17th and early 18th centuries, and argues that the period was a decisive one in the transition from Renaissance ... More


‘To call every thing into question’: Influences on the Drama  

Derek Hughes

in English Drama 1660–1700

Published in print:
1996
Published Online:
October 2011
ISBN:
9780198119746
eISBN:
9780191671203
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780198119746.003.0001
Subject:
Literature, Drama, 17th-century and Restoration Literature

This book traces patterns of diversity that gradually shift in their composition and proportions, and a number of interlinked motifs become evident. It is noteworthy that, after 1688, contented Whigs ... More


A Passion for Government: The Life of Sarah, Duchess of Marlborough

Frances Harris

Published in print:
1991
Published Online:
October 2011
ISBN:
9780198202240
eISBN:
9780191675232
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780198202240.001.0001
Subject:
History, British and Irish Modern History

Sarah, Duchess of Marlborough, was a woman with a ‘passion for government:’ a compulsion to wield power not only in her own family but in public affairs as well. She was the favourite of Queen Anne, ... More


Cartesian Design; or, Anatomies of the Theater

R. Darren Gobert

in The Mind-Body Stage: Passion and Interaction in the Cartesian Theater

Published in print:
2013
Published Online:
January 2014
ISBN:
9780804786386
eISBN:
9780804788267
Item type:
chapter
Publisher:
Stanford University Press
DOI:
10.11126/stanford/9780804786386.003.0005
Subject:
Philosophy, Philosophy of Mind

This chapter concerns theater architecture after Descartes. In Cartesian theory, the physiology of perception (which Descartes calls “representation”) is connected with the physiology of emotion ... More


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