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 The Letter of the Score

Kenneth Hamilton

in After the Golden Age: Romantic Pianism and Modern Performance

Published in print:
2007
Published Online:
May 2008
ISBN:
9780195178265
eISBN:
9780199870035
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195178265.003.0006
Subject:
Music, Theory, Analysis, Composition

This chapter analyses the evolving attitudes regarding strict adherence to the musical score or otherwise, aided by a discussion of the development of editing, of Urtext editions, and of the piano ... More


The Structure of Avot

Amram Tropper

in Wisdom, Politics, and Historiography: Tractate Avot in the Context of the Graeco-Roman Near East

Published in print:
2004
Published Online:
October 2011
ISBN:
9780199267125
eISBN:
9780191699184
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199267125.003.0001
Subject:
Religion, Judaism, Religion in the Ancient World

This chapter analyzes the structure of Avot in order to reveal the hand of the editor, and the message of his work. It aims to justify the synchronic approach to Avot by revealing the existence of an ... More


The Transparent Performer

Bruce Haynes

in The End of Early Music: A Period Performer's History of Music for the Twenty-First Century

Published in print:
2007
Published Online:
January 2010
ISBN:
9780195189872
eISBN:
9780199864218
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195189872.003.05
Subject:
Music, History, Western

Whatever is done to their music, the original composers will be affected. Original repertoire is all in the public domain now. This chapter argues that far from being “faithful” to a composer's ... More


Urgency—Why Bother?

Donna Louise Gunn

in Discoveries from the Fortepiano: A Manual for Beginners and Seasoned Performers

Published in print:
2015
Published Online:
December 2015
ISBN:
9780199396634
eISBN:
9780199396672
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199396634.003.0001
Subject:
Music, Performing Practice/Studies

The chapter presents philosophical beliefs and underpinning principles that support the argument for historically informed interpretation. Commonly held faulty assumptions, uninformed beliefs, and ... More


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