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Epilogue

Aleksandra Shatskikh

in Black Square: Malevich and the Origin of Suprematism

Published in print:
2012
Published Online:
October 2013
ISBN:
9780300140897
eISBN:
9780300162295
Item type:
chapter
Publisher:
Yale University Press
DOI:
10.12987/yale/9780300140897.003.0006
Subject:
History, European Modern History

This chapter, which sums up the key findings of this study on Russian avant-garde painter Kazimir Malevich's painting called Black Square and the origin of Suprematism, explains that Malevich began ... More


Black Square: Malevich and the Origin of Suprematism

Aleksandra Shatskikh

Published in print:
2012
Published Online:
October 2013
ISBN:
9780300140897
eISBN:
9780300162295
Item type:
book
Publisher:
Yale University Press
DOI:
10.12987/yale/9780300140897.001.0001
Subject:
History, European Modern History

Kazimir Malevich's painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of ... More


The Birth of Black Square

Aleksandra Shatskikh

in Black Square: Malevich and the Origin of Suprematism

Published in print:
2012
Published Online:
October 2013
ISBN:
9780300140897
eISBN:
9780300162295
Item type:
chapter
Publisher:
Yale University Press
DOI:
10.12987/yale/9780300140897.003.0001
Subject:
History, European Modern History

This chapter focuses on the origin of Kazimir Malevich's painting Black Square. It explains that although the painting was created in 1915, Malevich backdated to it 1913 because its biography had a ... More


On the Threshold of “0.10”

Aleksandra Shatskikh

in Black Square: Malevich and the Origin of Suprematism

Published in print:
2012
Published Online:
October 2013
ISBN:
9780300140897
eISBN:
9780300162295
Item type:
chapter
Publisher:
Yale University Press
DOI:
10.12987/yale/9780300140897.003.0002
Subject:
History, European Modern History

This chapter examines the origin of Russian painter Kazimir Malevich's Suprematism. It explains that Malevich first mentioned this term in a September 24, 1915 to a fellow artist and that it had its ... More


The End of Painting: From White Suprematism to “Blank Canvas”

Aleksandra Shatskikh

in Black Square: Malevich and the Origin of Suprematism

Published in print:
2012
Published Online:
October 2013
ISBN:
9780300140897
eISBN:
9780300162295
Item type:
chapter
Publisher:
Yale University Press
DOI:
10.12987/yale/9780300140897.003.0005
Subject:
History, European Modern History

This chapter examines the transition of Kazimir Malevich's paintings from Suprematism to “blank canvass,” It discusses the gradual transformation of Malevich's attitude toward color as Suprematism's ... More


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