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Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues

Vic Hobson

Published in print:
2014
Published Online:
September 2014
ISBN:
9781617039911
eISBN:
9781626740259
Item type:
book
Publisher:
University Press of Mississippi
DOI:
10.14325/mississippi/9781617039911.001.0001
Subject:
Music, History, American

This book explores how the blues became a part of New Orleans jazz. In so doing it demonstrates how the principles of barbershop harmony were applied to the instrumentation of a jazz band to produce ... More


New York, 1907–1910

Edward A. Berlin

in King of Ragtime: Scott Joplin and His Era

Published in print:
1996
Published Online:
October 2011
ISBN:
9780195101089
eISBN:
9780199853120
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195101089.003.0010
Subject:
Music, History, American

In 1907, Scott Joplin arrived in New York and stayed in the Tenderloin — its center for entertainment. Rose Leaf Rag is another outstanding ragtime composition of Joplin. The author argues that after ... More


Treemonisha, 1910–1911

Edward A. Berlin

in King of Ragtime: Scott Joplin and His Era

Published in print:
1996
Published Online:
October 2011
ISBN:
9780195101089
eISBN:
9780199853120
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195101089.003.0011
Subject:
Music, History, American

The formation of the Clef Club was the most important event in 1910 for New York's black musicians headed by James Reese Europe. In 1911, Scott Joplin published the piano-vocal score of his opera ... More


The Legacy of Scott Joplin

Edward A. Berlin

in King of Ragtime: Scott Joplin and His Era

Published in print:
1996
Published Online:
October 2011
ISBN:
9780195101089
eISBN:
9780199853120
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195101089.003.0013
Subject:
Music, History, American

The author posits that although Scott Joplin was only forty-nine and underprivileged when he died, he was already of a generation whose time had passed. Joplin was a focus for much of the ragtime ... More


The Ragtime Dance, 1899–1901

Edward A. Berlin

in King of Ragtime: Scott Joplin and His Era

Published in print:
1996
Published Online:
October 2011
ISBN:
9780195101089
eISBN:
9780199853120
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195101089.003.0005
Subject:
Music, History, American

John Stark was a music publisher who played an important role in the Scott Joplin story. He believed in ragtime, as he equaled the best piano rags to classical music. One of the reasons for the low ... More


Epilogue

Todd Decker

in Show Boat: Performing Race in an American Musical

Published in print:
2012
Published Online:
January 2013
ISBN:
9780199759378
eISBN:
9780199979554
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199759378.003.0010
Subject:
Music, History, American, Popular

Show Boat's legacy is assessed by comparison with recent Broadway musicals that use interracial casts and racially-marked popular music styles. Ragtime, Hairspray, and Memphis ... More


Charles Ives's Four Ragtime Dances and “True American Music”

Charles Hiroshi Garrett

in Struggling to Define a Nation: American Music and the Twentieth Century

Published in print:
2008
Published Online:
May 2012
ISBN:
9780520254862
eISBN:
9780520942820
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520254862.003.0002
Subject:
Music, History, American

This chapter discusses Charles Ives and his relationship to ragtime, which was the leading popular music at the beginning of the twentieth century. Ives is a composer who was at the center of the ... More


The Bolden Legend

Vic Hobson

in Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues

Published in print:
2014
Published Online:
September 2014
ISBN:
9781617039911
eISBN:
9781626740259
Item type:
chapter
Publisher:
University Press of Mississippi
DOI:
10.14325/mississippi/9781617039911.003.0002
Subject:
Music, History, American

Jazzmen promoted Buddy Bolden as the legendary first man of jazz. Willy Cornish played with Bolden. Cornish was in a photograph of Bolden’s original band. Bunk Johnson too claimed to have played with ... More


“I'm Tore Down”: Lynching and the Birth of a Blues Tradition

Adah Cussow

in Seems Like Murder Here: Southern Violence and the Blues Tradition

Published in print:
2002
Published Online:
February 2013
ISBN:
9780226310978
eISBN:
9780226311005
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226311005.003.0002
Subject:
Literature, American, 20th Century Literature

This chapter examines the lynching's inflicted terror in both the blues lyric and blues autobiographical tradition. It also addresses the linkage between southern lynching and blues song. Any given ... More


After the Rite: Stravinsky's Path to Neoclassicism (1914-1925)

Maureen A. Carr

Published in print:
2014
Published Online:
October 2016
ISBN:
9780199742936
eISBN:
9780199367993
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199742936.001.0001
Subject:
Music, History, Western, Theory, Analysis, Composition

After the Rite: Stravinsky’s Path to Neoclassicism (1914–25) traces the evolution of Stravinsky’s compositional process with excerpts from Rossignol, Three Pieces for String Quartet, Renard, Histoire ... More


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