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"Do You Have a Band?": Poetry and Punk Rock in New York City

Daniel Kane

Published in print:
2017
Published Online:
January 2019
ISBN:
9780231162975
eISBN:
9780231544603
Item type:
book
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231162975.001.0001
Subject:
Society and Culture, Cultural Studies

During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do ... More


Ripped, torn and cut: Pop, politics and punk fanzines from 1976

Keith Gildart, Anna Gough-Yates, Sian Lincoln, Bill Osgerby, Lucy Robinson, John Street, Pete Webb, and Matthew Worley (eds)

Published in print:
2018
Published Online:
January 2019
ISBN:
9781526120595
eISBN:
9781526138835
Item type:
book
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781526120595.001.0001
Subject:
Sociology, Culture

Ripped, torn and cut offers a collection of original essays exploring the motivations behind – and the politics within – the multitude of fanzines that emerged in the wake of British punk from 1976. ... More


“Still Talking About My Generation!”: The Representation of Youth in Popular Music

Andy Bennett

in The Changing Portrayal of Adolescents in the Media Since 1950

Published in print:
2008
Published Online:
April 2010
ISBN:
9780195342956
eISBN:
9780199894284
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195342956.003.0003
Subject:
Psychology, Social Psychology

Rock and Roll became an important form of popular music, entering mainstream youth culture by white translators of black music such as Elvis Presley. Youth readily identified with the themes of Rock ... More


Introduction: adventures in reality: why (punk) fanzines matter

Matthew Worley, Keith Gildart, Anna Gough-Yates, Sian Lincoln, Bill Osgerby, Lucy Robinson, John Street, and Pete Webb

in Ripped, torn and cut: Pop, politics and punk fanzines from 1976

Published in print:
2018
Published Online:
January 2019
ISBN:
9781526120595
eISBN:
9781526138835
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781526120595.003.0001
Subject:
Sociology, Culture

The introduction outlines the ways by which fanzines were integral to the development of punk-related cultures and embodied the ethos of do-it-yourself (DIY). It assesses some of the previous writing ... More


Whose culture? Fanzines, politics and agency

Matthew Worley

in Ripped, torn and cut: Pop, politics and punk fanzines from 1976

Published in print:
2018
Published Online:
January 2019
ISBN:
9781526120595
eISBN:
9781526138835
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781526120595.003.0004
Subject:
Sociology, Culture

This chapter comprises case studies of three fanzines: Jolt, Anathema and Hard as Nails. Each is examined as a means of understanding how fanzines offered space to develop political discourses and/or ... More


The evolution of an anarcho-punk narrative, 1978–84

Russ Bestley and Rebecca Binns

in Ripped, torn and cut: Pop, politics and punk fanzines from 1976

Published in print:
2018
Published Online:
January 2019
ISBN:
9781526120595
eISBN:
9781526138835
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781526120595.003.0008
Subject:
Sociology, Culture

Anarcho-punk emerged as a distinct strand of punk culture into the 1980s. Typically associated with the band Crass, the tenets of anarcho-punk were also developed through artworks, writing and debate ... More


<i>Kick</i>: positive punk

Richard Cabut

in Ripped, torn and cut: Pop, politics and punk fanzines from 1976

Published in print:
2018
Published Online:
January 2019
ISBN:
9781526120595
eISBN:
9781526138835
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781526120595.003.0014
Subject:
Sociology, Culture

Before goth, there was positive punk, a term coined by Richard Cabut. Writing as Richard North for NME, he outlined the foundations of what later soon became known as goth. However, the influences, ... More


The Audiovisual Turn and Post-Classical Cinema

Carol Vernallis

in Unruly Media: YouTube, Music Video, and the New Digital Cinema

Published in print:
2013
Published Online:
September 2013
ISBN:
9780199766994
eISBN:
9780199369010
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199766994.003.0002
Subject:
Music, Popular, History, American

Have the techniques and technologies of the digital era so transformed cinema that they have changed the nature of viewers’ experiences? This chapter considers brief segments from a variety of films ... More


‘Comrades, I don’t believe you!’: youth culture and the rethinking of historical legacies

Ljubica Spaskovska

in The Last Yugoslav Generation: The Rethinking of Youth Politics and Cultures in Late Socialism

Published in print:
2017
Published Online:
September 2017
ISBN:
9781526106315
eISBN:
9781526124210
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781526106315.003.0003
Subject:
Sociology, Politics, Social Movements and Social Change

The second chapter focuses on the way in which parts of the youth articulated a specifically anti-regime critique and through it questioned some of the values embodied in contemporary politics and ... More


Financing the Novel: Ben Lerner’s <i>10:04</i>

Arne De Boever

in Finance Fictions: Realism and Psychosis in a Time of Economic Crisis

Published in print:
2018
Published Online:
September 2018
ISBN:
9780823279166
eISBN:
9780823281435
Item type:
chapter
Publisher:
Fordham University Press
DOI:
10.5422/fordham/9780823279166.003.0007
Subject:
Literature, Film, Media, and Cultural Studies

Chapter Six shows how Ben Lerner’s 10:04 is a realist finance novel that takes on the financialization of the novel itself. If Houellebecq in his investigation of finance was mostly focused on ... More


They Came from the Basement: Tactics of Secrecy in New Brunswick’s Underground Punk Community

Jessa Lingel

in Digital Countercultures and the Struggle for Community

Published in print:
2017
Published Online:
January 2018
ISBN:
9780262036214
eISBN:
9780262340151
Item type:
chapter
Publisher:
The MIT Press
DOI:
10.7551/mitpress/9780262036214.003.0004
Subject:
Society and Culture, Technology and Society

The punk music scene in New Brunswick is literally underground, taking place in a network of residential basements. Because these shows are quasi-legal, the community has developed a set of practices ... More


Comrades in bondage trousers: how the Communist Party of Great Britain discovered punk rock

Matthew Worley

in Labour and Working-Class Lives: Essays To Celebrate the Life and Work of Chris Wrigley

Published in print:
2017
Published Online:
January 2018
ISBN:
9781784995270
eISBN:
9781526128645
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781784995270.003.0012
Subject:
Sociology, Politics, Social Movements and Social Change

Matthew Worley’s essay on the Communist Party of Great Britain offers a fascinating insight into how the CPGB and the Young Communist League sought to engage with Punk at a time when the Party was ... More


The Feeling of a Heartless World: Blues Rhythm, Oppositionality, and British Rock Music

Andrew Warnes

in Creating and Consuming the American South

Published in print:
2015
Published Online:
January 2016
ISBN:
9780813060699
eISBN:
9780813050928
Item type:
chapter
Publisher:
University Press of Florida
DOI:
10.5744/florida/9780813060699.003.0012
Subject:
History, Cultural History

The Blues are among the most potent and successful of all southern cultural “products.” UK rock music is one of countless international phenomena that has often defined itself in terms of its debt to ... More


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