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Afterword

Jessica Waldoff

in Recognition in Mozart's Operas

Published in print:
2006
Published Online:
May 2008
ISBN:
9780195151978
eISBN:
9780199870387
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195151978.003.0010
Subject:
Music, Opera

The Afterword opens with a letter of 1791 in which Mozart relates an experience he has while attending a performance of Die Zauberflöte. He represents the episode as a recognition narrative in ... More


Tonality and Transformation

Steven Rings

Published in print:
2011
Published Online:
September 2011
ISBN:
9780195384277
eISBN:
9780199897001
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195384277.001.0001
Subject:
Music, Theory, Analysis, Composition, History, Western

This book employs transformational theory to illuminate the experience of tonal music. In addition to providing an accessible primer on transformational theory, the book introduces new theoretical ... More


The Sum of All Heresies: The Image of Islam in Western Thought

Frederick Quinn

Published in print:
2008
Published Online:
January 2008
ISBN:
9780195325638
eISBN:
9780199869336
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195325638.001.0001
Subject:
Religion, Islam

Current global tensions and the spread of terrorism have resurrected a largely negative perception of Islamic society in the West, an ill will fueled by centuries of conflict and prejudice. Shedding ... More


GERMAN MUSIC IN AN AGE OF POSITIVISM

Kevin C. Karnes

in Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth Century Vienna

Published in print:
2008
Published Online:
September 2008
ISBN:
9780195368666
eISBN:
9780199867547
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195368666.003.0007
Subject:
Music, History, Western

This chapter considers the nationalist underpinnings of late-century musicology by examining the diverse and even contradictory cultural associations that Adler forged through the medium of his work. ... More


Music, Motion, and Subjectivity

Eric F. Clarke

in Ways of Listening: An Ecological Approach to the Perception of Musical Meaning

Published in print:
2005
Published Online:
May 2008
ISBN:
9780195151947
eISBN:
9780199870400
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195151947.003.0004
Subject:
Music, Psychology of Music

This chapter discusses the ways in which sounds can specify motion, and the significance of this motion in music. Rather than considering motion in music to be metaphorical in nature, the chapter ... More


Reading Opera for the Plot

Jessica Waldoff

in Recognition in Mozart's Operas

Published in print:
2006
Published Online:
May 2008
ISBN:
9780195151978
eISBN:
9780199870387
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195151978.003.0004
Subject:
Music, Opera

This chapter takes up the question of how an individual event, such as a recognition scene, functions with respect to the operatic plot as a whole. It explores the notion of plot in critical works ... More


Op. 50 (1787)

Floyd Grave and Margaret Grave

in The String Quartets of Joseph Haydn

Published in print:
2006
Published Online:
May 2008
ISBN:
9780195173574
eISBN:
9780199872152
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195173574.003.0013
Subject:
Music, History, Western

Dedicated to Friedrich Wilhelm II and known as the “Prussian” quartets, these difficult works were clearly designed for connoisseurs. Their sale and early publication history involved complex, ... More


Alan Walker Tyson 1926–2000

Oliver Neighbour

in Proceedings of the British Academy, Volume 115 Biographical Memoirs of Fellows, I

Published in print:
2003
Published Online:
January 2013
ISBN:
9780197262788
eISBN:
9780191754210
Item type:
chapter
Publisher:
British Academy
DOI:
10.5871/bacad/9780197262788.003.0019
Subject:
History, Historiography

Alan Tyson was a musicologist who made an outstanding contribution to understanding issues of authenticity and chronology in the works of Mozart and Beethoven often based on detailed study of the ... More


Tuba Concerto

David Manning

in Vaughan Williams on Music

Published in print:
2007
Published Online:
October 2011
ISBN:
9780195182392
eISBN:
9780199851485
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195182392.003.0091
Subject:
Music, History, Western

The form of the Tuba Concerto is nearer to the form of Johann Sebastian Bach than to that of the Viennese School, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, though the first and last ... More


Music as a cognitive skill

John A. Sloboda

in The Musical Mind: The Cognitive Psychology of Music

Published in print:
1986
Published Online:
January 2008
ISBN:
9780198521280
eISBN:
9780191706257
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780198521280.003.0001
Subject:
Psychology, Cognitive Psychology

This chapter argues that mental representation is the core psychological concept that underlies all psychologically interesting musical skills, from the emotional reactions of untrained listeners ... More


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