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Epilogue: Dante and Early Italian Cinema: The 1911 Milano-Films Inferno and Italian Nationalism

Nick Havely

in Dante in the Long Nineteenth Century: Nationality, Identity, and Appropriation

Published in print:
2012
Published Online:
May 2012
ISBN:
9780199584628
eISBN:
9780191739095
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199584628.003.0019
Subject:
Literature, 19th-century and Victorian Literature, Poetry

This chapter revisits Italy and turns to Dante on screen. It considers the role of early Italian cinema, giving particular attention to the cultural and political contexts of the 1911 Milano-Films ... More


Sovereign Consumption: Italian Americans’ Transnational Film Culture in 1920s New York City

Giorgio Bertellini

in Making Italian America: Consumer Culture and the Production of Ethnic Identities

Published in print:
2014
Published Online:
September 2014
ISBN:
9780823256235
eISBN:
9780823261741
Item type:
chapter
Publisher:
Fordham University Press
DOI:
10.5422/fordham/9780823256235.003.0005
Subject:
History, Economic History

Italian-produced films found a vast audience in New York City theaters, encompassing motives of emotional longing and diasporic nationalism among immigrant spectators well into the 1920s. The essay ... More


Importing Neorealism, Exporting Cinema: Indian Cinema and Film Festivals in the 1950s

Neepa Majumdar

in Global Neorealism: The Transnational History of a Film Style

Published in print:
2011
Published Online:
March 2014
ISBN:
9781617031229
eISBN:
9781617031236
Item type:
chapter
Publisher:
University Press of Mississippi
DOI:
10.14325/mississippi/9781617031229.003.0011
Subject:
Film, Television and Radio, Film

This chapter explores 1950s discussions of realism in India as catalyzed by what filmmakers and audiences described as the eye-opening experience of watching the three Italian neorealist films that ... More


An Aesthetics of Aggression: German Fascist vs. Classical Hollywood Melodrama

Laura Heins

in Nazi Film Melodrama

Published in print:
2013
Published Online:
April 2017
ISBN:
9780252037740
eISBN:
9780252095023
Item type:
chapter
Publisher:
University of Illinois Press
DOI:
10.5406/illinois/9780252037740.003.0002
Subject:
Film, Television and Radio, Film

This chapter attempts to delineate the generic and aesthetic differences between film melodrama in Third Reich and classical Hollywood cinema, and to a lesser extent, between German and Italian ... More


From Italian Neorealism to New Latin American Cinema: Ruptures and Continuities during the 1960s

Mariano Mestman

in Global Neorealism: The Transnational History of a Film Style

Published in print:
2011
Published Online:
March 2014
ISBN:
9781617031229
eISBN:
9781617031236
Item type:
chapter
Publisher:
University Press of Mississippi
DOI:
10.14325/mississippi/9781617031229.003.0010
Subject:
Film, Television and Radio, Film

This chapter examines the influence of Italian postwar neorealist films on the so-called New Latin American Cinema (NLAC) of the 1960s, and narrates a story that goes from the 1950s cinema of ... More


Epilogue: Neorealism, Cinema of Poetry, and Italian Contemporary Cinema

Silvia Carlorosi

in Global Neorealism: The Transnational History of a Film Style

Published in print:
2011
Published Online:
March 2014
ISBN:
9781617031229
eISBN:
9781617031236
Item type:
chapter
Publisher:
University Press of Mississippi
DOI:
10.14325/mississippi/9781617031229.003.0015
Subject:
Film, Television and Radio, Film

This chapter looks at examples of neorealism in recent Italian cinema. It focuses on two films—Andrea and Antonio Frazzi’s Certi bambini (A Children’s Story, 2004), and Matteo Garrone’s Gomorra ... More


The Women of Ercole

Arthur J. Pomeroy

in Ancient Greek Women in Film

Published in print:
2013
Published Online:
January 2014
ISBN:
9780199678921
eISBN:
9780191760259
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199678921.003.0009
Subject:
Classical Studies, Literary Studies: Classical, Early, and Medieval, Plays and Playwrights: Classical, Early, and Medieval

Le fatiche di Ercole (1958) initiated a line of Italian adventure films set in the ancient world and turned their body-builder protagonists into stars. Their female love ... More


The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film

Domietta Torlasco

Published in print:
2008
Published Online:
June 2013
ISBN:
9780804758024
eISBN:
9780804786775
Item type:
book
Publisher:
Stanford University Press
DOI:
10.11126/stanford/9780804758024.001.0001
Subject:
Philosophy, Aesthetics

This book interrogates the relationship between time and vision as it emerges in five Italian films from the 1960s and 1970s: Antonioni's Blow-Up and The Passenger, Bertolucci's The Spider's ... More


Introduction

in The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film

Published in print:
2008
Published Online:
June 2013
ISBN:
9780804758024
eISBN:
9780804786775
Item type:
chapter
Publisher:
Stanford University Press
DOI:
10.11126/stanford/9780804758024.003.0001
Subject:
Philosophy, Aesthetics

This introductory chapter discusses the theme of this volume which is about crime in Italian films in the early 1960s and late 1970s. It explores the phenomenology and provides a psychoanalysis of ... More


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