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Bergman, Kaila, and the Faces of Irrationality

Paisley Livingston

in Cinema, Philosophy, Bergman: On Film as Philosophy

Published in print:
2009
Published Online:
September 2009
ISBN:
9780199570171
eISBN:
9780191721540
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199570171.003.0006
Subject:
Philosophy, Aesthetics, General

This chapter introduces the little-known connection between Ingmar Bergman's films and what the director identified as his major philosophical source — a treatise in philosophical psychology authored ... More


Value, Authenticity, and Fantasy in Bergman

Paisley Livingston

in Cinema, Philosophy, Bergman: On Film as Philosophy

Published in print:
2009
Published Online:
September 2009
ISBN:
9780199570171
eISBN:
9780191721540
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199570171.003.0007
Subject:
Philosophy, Aesthetics, General

This chapter discusses a scene in Wild Strawberries where Bergman includes an allusion to Kaila's views about the status of moral judgements. The apparent thrust of this appeal to Kaila's authority ... More


Cinema, Philosophy, Bergman: On Film as Philosophy

Paisley Livingston

Published in print:
2009
Published Online:
September 2009
ISBN:
9780199570171
eISBN:
9780191721540
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199570171.001.0001
Subject:
Philosophy, Aesthetics, General

The first part of this book critically assesses some of the bold claims that have been made about films' contributions to philosophy and defends a balanced perspective on the topic. It argues that in ... More


Self-Projection: The Director's Image in Art Cinema

Linda Haverty Rugg

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
book
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.001.0001
Subject:
Film, Television and Radio, Film

This book is formed as a response to the question of whether narrative films can perform as autobiographies. This is a subject that has been treated only in a couple of essays as a theoretical field ... More


The Director Plays Director

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0003
Subject:
Film, Television and Radio, Film

Examination of directorial self-representation in two related genres: documentaries on the making of films and narrative films about directing, in which the director plays a fictional film director. ... More


Types of Authorship in the Cinema

Paisley Livingston

in Cinema, Philosophy, Bergman: On Film as Philosophy

Published in print:
2009
Published Online:
September 2009
ISBN:
9780199570171
eISBN:
9780191721540
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199570171.003.0004
Subject:
Philosophy, Aesthetics, General

One objection that is often raised against intentionalist approaches is that many films have no author who could be the source of philosophical questions or claims. In response to that objection, ... More


Actor, Avatar

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0004
Subject:
Film, Television and Radio, Film

The director’s relationship to his actors, and how that collaboration works within the framework of self-projection. Attention is paid to personal relationships between actors and directors ... More


Ingmar Bergman’s Primal Scene

P. Adams Sitney

in The Cinema of Poetry

Published in print:
2014
Published Online:
January 2015
ISBN:
9780199337026
eISBN:
9780199370405
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199337026.003.0004
Subject:
Literature, Film, Media, and Cultural Studies, Poetry

This chapter considers Ingmar Bergman’s The Silence, Cries and Whispers, and Fanny and Alexander as examples of the “cinema of poetry.” Whereas the psychoanalytic current was latent in Pasolini’s ... More


Self-Projection and the Cinematic Apparatus

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0005
Subject:
Film, Television and Radio, Film

Here the appearance of various attributes of the cinematic apparatus (projector, screen, photographic film frames) are linked to various parts of the filmmaker’s body and sensory apparatus, making ... More


Arguing over Cinema as Philosophy

Paisley Livingston

in Cinema, Philosophy, Bergman: On Film as Philosophy

Published in print:
2009
Published Online:
September 2009
ISBN:
9780199570171
eISBN:
9780191721540
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199570171.003.0003
Subject:
Philosophy, Aesthetics, General

This chapter takes up two Hegel-inspired objections to moderate theses concerning film's philosophical value. One objection it that it is inappropriate to use art to advance ends other than those ... More


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