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The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film

Domietta Torlasco

Published in print:
2008
Published Online:
June 2013
ISBN:
9780804758024
eISBN:
9780804786775
Item type:
book
Publisher:
Stanford University Press
DOI:
10.11126/stanford/9780804758024.001.0001
Subject:
Philosophy, Aesthetics

This book interrogates the relationship between time and vision as it emerges in five Italian films from the 1960s and 1970s: Antonioni's Blow-Up and The Passenger, Bertolucci's The Spider's ... More


Blade Runner's Moving Still

Elissa Marder

in The Mother in the Age of Mechanical Reproduction: Psychoanalysis, Photography, Deconstruction

Published in print:
2012
Published Online:
May 2012
ISBN:
9780823240555
eISBN:
9780823240593
Item type:
chapter
Publisher:
Fordham University Press
DOI:
10.5422/fordham/9780823240555.003.0008
Subject:
Literature, Criticism/Theory

This chapter examines the relationship between humans and androids in Ridley Scott's 1982 film Blade Runner by looking at how the film reflects on its own status as a film and the role that ... More


Introduction

in The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film

Published in print:
2008
Published Online:
June 2013
ISBN:
9780804758024
eISBN:
9780804786775
Item type:
chapter
Publisher:
Stanford University Press
DOI:
10.11126/stanford/9780804758024.003.0001
Subject:
Philosophy, Aesthetics

This introductory chapter discusses the theme of this volume which is about crime in Italian films in the early 1960s and late 1970s. It explores the phenomenology and provides a psychoanalysis of ... More


The Scene of the Crime

in The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film

Published in print:
2008
Published Online:
June 2013
ISBN:
9780804758024
eISBN:
9780804786775
Item type:
chapter
Publisher:
Stanford University Press
DOI:
10.11126/stanford/9780804758024.003.0002
Subject:
Philosophy, Aesthetics

This chapter examines the depiction of the crime scene in Michelangelo Antonioni's films Blow-Up and The Passenger. It explains that the subversive use of perspective in these films lead the ... More


The Year 1966

András Bálint Kovács

in Screening Modernism: European Art Cinema, 1950–1980

Published in print:
2008
Published Online:
February 2013
ISBN:
9780226451633
eISBN:
9780226451664
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226451664.003.0019
Subject:
Literature, Film, Media, and Cultural Studies

The year 1966 was an important year in the history of modern cinema because it represents simultaneously a summit and a turning point. It was a summit because many of the most important films of ... More


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