Carl A. Raschke
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780231173841
- eISBN:
- 9780231539623
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231173841.003.0009
- Subject:
- Religion, Philosophy of Religion
Both insurrection and resurrection derive from the same Latin root through which we obtain the word surge. It is the power of resurrection that eventually decides the minute of insurrection. A ...
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Both insurrection and resurrection derive from the same Latin root through which we obtain the word surge. It is the power of resurrection that eventually decides the minute of insurrection. A genealogy of the political yields the truth of this resurrection power, by which the militant is eminently sustained. It also reveals the insurrectionary moment. That is the task of political theology today amid the enveloping crisis of liberal democracy.Less
Both insurrection and resurrection derive from the same Latin root through which we obtain the word surge. It is the power of resurrection that eventually decides the minute of insurrection. A genealogy of the political yields the truth of this resurrection power, by which the militant is eminently sustained. It also reveals the insurrectionary moment. That is the task of political theology today amid the enveloping crisis of liberal democracy.
Alex Ling
- Published in print:
- 2010
- Published Online:
- March 2012
- ISBN:
- 9780748641130
- eISBN:
- 9780748652631
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748641130.001.0001
- Subject:
- Philosophy, General
This book offers an in-depth examination of cinema and its philosophical significance. It employs the philosophy of Alain Badiou to answer the question central to all serious film scholarship – ...
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This book offers an in-depth examination of cinema and its philosophical significance. It employs the philosophy of Alain Badiou to answer the question central to all serious film scholarship – namely, ‘can cinema be thought?’ Treating this question on three levels, the author first asks if we can really think what cinema is, at an ontological level. Second, he investigates whether cinema can actually think for itself; that is, whether or not it is truly ‘artistic’. Finally, the author explores in what ways we can rethink the consequences of the fact that cinema thinks. In answering these questions, he uses well-known films ranging from Hiroshima mon amour to Vertigo to The Matrix to illustrate Badiou's philosophy, as well as to consider the ways in which his work can be extended, critiqued and reframed with respect to the medium of cinema.Less
This book offers an in-depth examination of cinema and its philosophical significance. It employs the philosophy of Alain Badiou to answer the question central to all serious film scholarship – namely, ‘can cinema be thought?’ Treating this question on three levels, the author first asks if we can really think what cinema is, at an ontological level. Second, he investigates whether cinema can actually think for itself; that is, whether or not it is truly ‘artistic’. Finally, the author explores in what ways we can rethink the consequences of the fact that cinema thinks. In answering these questions, he uses well-known films ranging from Hiroshima mon amour to Vertigo to The Matrix to illustrate Badiou's philosophy, as well as to consider the ways in which his work can be extended, critiqued and reframed with respect to the medium of cinema.
A J Bartlett
- Published in print:
- 2011
- Published Online:
- March 2012
- ISBN:
- 9780748643752
- eISBN:
- 9780748652655
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748643752.001.0001
- Subject:
- Philosophy, General
This book is an interrogation of Plato's entire work using the concepts and categories of Alain Badiou. It critically addresses and draw consequences from Badiou's claim that his work is a ‘Platonism ...
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This book is an interrogation of Plato's entire work using the concepts and categories of Alain Badiou. It critically addresses and draw consequences from Badiou's claim that his work is a ‘Platonism of the multiple’ and that philosophy today requires a ‘platonic gesture’. Examining the relationship between Badiou and Plato, the book transforms our perception of Plato's philosophy and rethinks the central philosophical question: ‘what is education?’ The book corrects many errors in the existing commentary on Badiou's work and extracts a key Platonic theme crucial at every level of culture today: education.Less
This book is an interrogation of Plato's entire work using the concepts and categories of Alain Badiou. It critically addresses and draw consequences from Badiou's claim that his work is a ‘Platonism of the multiple’ and that philosophy today requires a ‘platonic gesture’. Examining the relationship between Badiou and Plato, the book transforms our perception of Plato's philosophy and rethinks the central philosophical question: ‘what is education?’ The book corrects many errors in the existing commentary on Badiou's work and extracts a key Platonic theme crucial at every level of culture today: education.
Oliver Marchart
- Published in print:
- 2007
- Published Online:
- September 2012
- ISBN:
- 9780748624973
- eISBN:
- 9780748672066
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748624973.001.0001
- Subject:
- Political Science, Political Theory
This book, a wide-ranging overview of the emergence of post-foundationalism and a survey of the work of its key contemporary exponents, presents the first systematic coverage of the conceptual ...
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This book, a wide-ranging overview of the emergence of post-foundationalism and a survey of the work of its key contemporary exponents, presents the first systematic coverage of the conceptual difference between ‘politics’ (the practice of conventional politics: the political system or political forms of action) and ‘the political’ (a much more radical aspect which cannot be restricted to the realms of institutional politics). It is also an introductory overview of post-foundationalism and the tradition of ‘left Heideggerianism’: the political thought of contemporary theorists who make frequent use of the idea of political difference: Jean-Luc Nancy, Claude Lefort, Alain Badiou and Ernesto Laclau. After an overview of current trends in social post-foundationalism and a genealogical chapter on the historical emergence of the difference between the concepts of ‘politics’ and ‘the political’, the work of individual theorists is presented and discussed at length. Individual chapters are presented on the political thought of Jean-Luc Nancy (including Philippe Lacoue-Labarthe), Claude Lefort, Alain Badiou, and Ernesto Laclau (including Chantal Mouffe). Overall, the book offers an elaboration of the idea of a post-foundational conception of politics.Less
This book, a wide-ranging overview of the emergence of post-foundationalism and a survey of the work of its key contemporary exponents, presents the first systematic coverage of the conceptual difference between ‘politics’ (the practice of conventional politics: the political system or political forms of action) and ‘the political’ (a much more radical aspect which cannot be restricted to the realms of institutional politics). It is also an introductory overview of post-foundationalism and the tradition of ‘left Heideggerianism’: the political thought of contemporary theorists who make frequent use of the idea of political difference: Jean-Luc Nancy, Claude Lefort, Alain Badiou and Ernesto Laclau. After an overview of current trends in social post-foundationalism and a genealogical chapter on the historical emergence of the difference between the concepts of ‘politics’ and ‘the political’, the work of individual theorists is presented and discussed at length. Individual chapters are presented on the political thought of Jean-Luc Nancy (including Philippe Lacoue-Labarthe), Claude Lefort, Alain Badiou, and Ernesto Laclau (including Chantal Mouffe). Overall, the book offers an elaboration of the idea of a post-foundational conception of politics.
A. J. Bartlett
- Published in print:
- 2011
- Published Online:
- March 2012
- ISBN:
- 9780748643752
- eISBN:
- 9780748652655
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748643752.003.0012
- Subject:
- Philosophy, General
This chapter argues that Plato's singular difficulty in and by the constitution of the Republic was in maintaining this subversive and revolutionary education of the educators within the ...
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This chapter argues that Plato's singular difficulty in and by the constitution of the Republic was in maintaining this subversive and revolutionary education of the educators within the configuration of the new form of the state. It explains that this problem resulted from his attempts to design a curricular structure for maintaining this education and in so doing made a particular form of representation ‘not appear’. It highlights the differences between Alan Badiou and Gregory Vlastos' interpretations of Plato's dialogues.Less
This chapter argues that Plato's singular difficulty in and by the constitution of the Republic was in maintaining this subversive and revolutionary education of the educators within the configuration of the new form of the state. It explains that this problem resulted from his attempts to design a curricular structure for maintaining this education and in so doing made a particular form of representation ‘not appear’. It highlights the differences between Alan Badiou and Gregory Vlastos' interpretations of Plato's dialogues.
Jean-Jacques Lecercle
- Published in print:
- 2010
- Published Online:
- March 2012
- ISBN:
- 9780748638000
- eISBN:
- 9780748652648
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748638000.001.0001
- Subject:
- Philosophy, General
Why do philosophers read literature? How do they read it? And to what extent does their philosophy derive from their reading of literature? Anyone who has read contemporary European philosophers has ...
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Why do philosophers read literature? How do they read it? And to what extent does their philosophy derive from their reading of literature? Anyone who has read contemporary European philosophers has had to ask such questions. This book is an attempt to answer them, by considering the ‘strong readings’ Alain Badiou and Gilles Deleuze impose on the texts they read. The author demonstrates that philosophers need literature as much as literary critics need philosophy: it is an exercise not in the philosophy of literature (where literature is a mere object of analysis), but in philosophy and literature, a heady and unusual mix.Less
Why do philosophers read literature? How do they read it? And to what extent does their philosophy derive from their reading of literature? Anyone who has read contemporary European philosophers has had to ask such questions. This book is an attempt to answer them, by considering the ‘strong readings’ Alain Badiou and Gilles Deleuze impose on the texts they read. The author demonstrates that philosophers need literature as much as literary critics need philosophy: it is an exercise not in the philosophy of literature (where literature is a mere object of analysis), but in philosophy and literature, a heady and unusual mix.
Jean-Jacques Lecercle
- Published in print:
- 2010
- Published Online:
- March 2012
- ISBN:
- 9780748638000
- eISBN:
- 9780748652648
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748638000.003.0001
- Subject:
- Philosophy, General
This book focuses on Alain Badiou and Gilles Deleuze's reading of literature. It suggests that literature plays a crucial role in the contents of philosophers' respective positions and attempts to ...
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This book focuses on Alain Badiou and Gilles Deleuze's reading of literature. It suggests that literature plays a crucial role in the contents of philosophers' respective positions and attempts to describe the authors' style, their use of rhetoric, and their taste for metaphor and/or narrative. The book explains that Badiou and Deleuze are two of the most important contemporary philosophers, and contends that the best way to enter the (non-)relation then is through the way they read literature.Less
This book focuses on Alain Badiou and Gilles Deleuze's reading of literature. It suggests that literature plays a crucial role in the contents of philosophers' respective positions and attempts to describe the authors' style, their use of rhetoric, and their taste for metaphor and/or narrative. The book explains that Badiou and Deleuze are two of the most important contemporary philosophers, and contends that the best way to enter the (non-)relation then is through the way they read literature.
Alex Ling
- Published in print:
- 2010
- Published Online:
- March 2012
- ISBN:
- 9780748641130
- eISBN:
- 9780748652631
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748641130.003.0012
- Subject:
- Philosophy, General
This concluding chapter sums up the key findings of this study on the relevance of Alain Badiou's philosophy for the analysis of cinema. It explains that of all the arts, cinema is without doubt the ...
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This concluding chapter sums up the key findings of this study on the relevance of Alain Badiou's philosophy for the analysis of cinema. It explains that of all the arts, cinema is without doubt the most universal, the most immediate and the most paradoxical, and argues that as a mass art, cinema speaks to humanity in a way that no other art is capable of. The chapter discusses Badiou's idea of cinema as an art that both thinks and rethinks, and suggests that this cinema has yet to appear.Less
This concluding chapter sums up the key findings of this study on the relevance of Alain Badiou's philosophy for the analysis of cinema. It explains that of all the arts, cinema is without doubt the most universal, the most immediate and the most paradoxical, and argues that as a mass art, cinema speaks to humanity in a way that no other art is capable of. The chapter discusses Badiou's idea of cinema as an art that both thinks and rethinks, and suggests that this cinema has yet to appear.
Lisa Siraganian
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199796557
- eISBN:
- 9780199932542
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199796557.003.0006
- Subject:
- Literature, 20th-century and Contemporary Literature
The coda extends Olson’s and Baraka’s theories of breath and bodily incorporation from the previous chapter to quite different forms of contemporary writing, ranging from Native American Leslie ...
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The coda extends Olson’s and Baraka’s theories of breath and bodily incorporation from the previous chapter to quite different forms of contemporary writing, ranging from Native American Leslie Marmon Silko’s photo-poems, Sacred Water (1993), Juliana Spahr’s post-9/11 poem, This Connection of Everyone with Lungs (2005), to the various theoretical reappraisals of universalism in Judith Butler’s political theory and in Alain Badiou’s Saint Paul: The Foundation of Universalism (2003). We see that Olson and Baraka anticipate various recent attempts in art, literature, and critical theory to depict communitarian or other forms of social connection via breath or particularity in order to avoid universalism. This attempt is examined, critiqued, and contextualized. The Coda suggests that the aesthetic and political debates that Modernism’s Other Work explores continue in various texts and theoretical discussions ongoing today.Less
The coda extends Olson’s and Baraka’s theories of breath and bodily incorporation from the previous chapter to quite different forms of contemporary writing, ranging from Native American Leslie Marmon Silko’s photo-poems, Sacred Water (1993), Juliana Spahr’s post-9/11 poem, This Connection of Everyone with Lungs (2005), to the various theoretical reappraisals of universalism in Judith Butler’s political theory and in Alain Badiou’s Saint Paul: The Foundation of Universalism (2003). We see that Olson and Baraka anticipate various recent attempts in art, literature, and critical theory to depict communitarian or other forms of social connection via breath or particularity in order to avoid universalism. This attempt is examined, critiqued, and contextualized. The Coda suggests that the aesthetic and political debates that Modernism’s Other Work explores continue in various texts and theoretical discussions ongoing today.
Martin Puchner
- Published in print:
- 2010
- Published Online:
- October 2011
- ISBN:
- 9780199730322
- eISBN:
- 9780199852796
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199730322.001.0001
- Subject:
- Literature, Drama
Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in action, not ideas. ...
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Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in action, not ideas. Challenging both views, this book shows that theater and philosophy have always been crucially intertwined. Plato is the presiding genius of this alternative history, not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. This book discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. The book also considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers use theatrical terms, concepts, and even dramatic techniques in their writings. The book mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, the book formulates the contours of a “dramatic Platonism”. This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism.Less
Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in action, not ideas. Challenging both views, this book shows that theater and philosophy have always been crucially intertwined. Plato is the presiding genius of this alternative history, not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. This book discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. The book also considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers use theatrical terms, concepts, and even dramatic techniques in their writings. The book mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, the book formulates the contours of a “dramatic Platonism”. This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism.
