Jump to ContentJump to Main Navigation

You are looking at 1-3 of 3 items for:

  • Keywords: participation x
Clear All Modify Search

View:

¡Viva Terlingua!: Live Recordings and the Authenticity of Progressive Country Music

Travis D. Stimeling

in Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene

Published in print:
2011
Published Online:
September 2011
ISBN:
9780199747474
eISBN:
9780199896981
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199747474.003.0005
Subject:
Music, Popular, History, American

This chapter proposes that much of the music that was composed and recorded in Austin was imbued with an aura of authenticity because it bore obvious traces of the social and musical interactions of ... More


Animating the Audience: Singalong Films in Britain in the 1920s

Malcolm Cook

in The Sounds of the Silents in Britain

Published in print:
2012
Published Online:
January 2013
ISBN:
9780199797615
eISBN:
9780199979738
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199797615.003.0013
Subject:
Music, Popular, History, Western

This chapter examines the brief but vigorous popularity of singalong films in Britain in the mid-1920s. This alternate sonic practice utilized an animated “bouncing ball” or similar device to ... More


Interactivity, Mirrored Spaces, and the Closed-Circuit Feed: Performing Video

Holly Rogers

in Sounding the Gallery: Video and the Rise of Art-Music

Published in print:
2013
Published Online:
September 2013
ISBN:
9780199861408
eISBN:
9780199332731
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199861408.003.0005
Subject:
Music, History, Western, Popular

This chapter focuses on ways in which the performance of early video art-music blurred the boundaries between art and life. Using the mirrored environments and surveillance videos of Joan Jonas, ... More


View: