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Conclusion

Katharine Ellis

in Interpreting the Musical Past: Early Music in Nineteenth Century France

Published in print:
2008
Published Online:
September 2008
ISBN:
9780195365856
eISBN:
9780199867738
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195365856.003.0008
Subject:
Music, History, Western

This concluding chapter takes in the entire century, highlighting continuities and disjunctions, repertorial patterns, absences, and disappearances. It addresses the ways in which early music's ... More


Russian Opera and the Symbolist Movement

Simon Morrison

Published in print:
2002
Published Online:
May 2012
ISBN:
9780520229433
eISBN:
9780520927261
Item type:
book
Publisher:
University of California Press
DOI:
10.1525/california/9780520229433.001.0001
Subject:
Music, History, Western

An aesthetic, historical, and theoretical study of four scores, this text is a treatment of the topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of ... More


Pessimism, Ecstasy, and Distant Voices: Listening to Late-Romanticism

Peter Franklin

in Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds

Published in print:
2014
Published Online:
September 2014
ISBN:
9780520280397
eISBN:
9780520958036
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520280397.003.0002
Subject:
Music, History, Western

Wackenroder's tale “Joseph Berglinger” is used to model the cultural practice of Schumann and his circle, fashioning idealistic notions about Beethoven's Ninth Symphony while scorning bourgeois ... More


Decadent Transitions: Mahler, Modernism, and the Viennese Fin de Siècle

Zoltan Roman

in Rethinking Mahler

Published in print:
2017
Published Online:
August 2017
ISBN:
9780199316090
eISBN:
9780190665975
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780199316090.003.0014
Subject:
Music, History, Western

Not unlike Jugendstil, ‘decadence’ has had a difficult time establishing itself in musical scholarship. In both cases, concept and label originated and were used chiefly in other fields: the former ... More


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