Olivia C. Harrison
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780804794213
- eISBN:
- 9780804796859
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804794213.003.0003
- Subject:
- Literature, World Literature
Chapter Two analyzes the figure of Palestine in Kateb Yacine’s Algerian Arabic play, “Mohamed arfad valiztek” (Mohamed pack your bags) as the vehicle of a two-pronged critique of the postcolonial ...
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Chapter Two analyzes the figure of Palestine in Kateb Yacine’s Algerian Arabic play, “Mohamed arfad valiztek” (Mohamed pack your bags) as the vehicle of a two-pronged critique of the postcolonial Algerian state and of French and Israeli colonial discourses. The play compares France-Algeria and Israel-Palestine to condemn both anti-immigrant racism in France and Israel’s treatment of its Palestinian subjects. Aimed at a popular Algerian public, it also satirizes the Algerian state’s instrumentalization of the Algerian and Palestinian revolutions to rally popular support. Kateb’s popular theater begins to make evident the convergences and overlaps between two apparently antithetical discourses, which will be the focus of the final three chapters of Transcolonial Maghreb: the discourse of assimilation, characteristic of French colonial discourse (Algeria is France), and the principle of separation that undergirds Zionism and the Israeli state (Jews/Arabs).Less
Chapter Two analyzes the figure of Palestine in Kateb Yacine’s Algerian Arabic play, “Mohamed arfad valiztek” (Mohamed pack your bags) as the vehicle of a two-pronged critique of the postcolonial Algerian state and of French and Israeli colonial discourses. The play compares France-Algeria and Israel-Palestine to condemn both anti-immigrant racism in France and Israel’s treatment of its Palestinian subjects. Aimed at a popular Algerian public, it also satirizes the Algerian state’s instrumentalization of the Algerian and Palestinian revolutions to rally popular support. Kateb’s popular theater begins to make evident the convergences and overlaps between two apparently antithetical discourses, which will be the focus of the final three chapters of Transcolonial Maghreb: the discourse of assimilation, characteristic of French colonial discourse (Algeria is France), and the principle of separation that undergirds Zionism and the Israeli state (Jews/Arabs).
Olivia C. Harrison (ed.)
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780804794213
- eISBN:
- 9780804796859
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804794213.001.0001
- Subject:
- Literature, World Literature
Imagining Palestine in the Era of Decolonization offers the first thorough analysis of the ways in which Moroccan, Algerian, and Tunisian writers have engaged with the Palestinian question and the ...
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Imagining Palestine in the Era of Decolonization offers the first thorough analysis of the ways in which Moroccan, Algerian, and Tunisian writers have engaged with the Palestinian question and the Palestinian-Israeli conflict for the past fifty years. Reframing the field of Maghrebi literature to account for transversal political and aesthetic exchanges—exchanges whose importance is evidenced today in the still unfolding social and political upheavals in North Africa and the Middle East—Transcolonial Maghreb reveals that writers such as Abdellatif Laâbi, Kateb Yacine, Ahlam Mosteghanemi, Albert Memmi, Abdelkebir Khatibi, Jacques Derrida, and Edmond El Maleh have been concerned with the Palestinian question for decades, with lasting effects on the ways in which they write and imagine the Maghreb, France, and Palestine-Israel. Through a series of contextualized close readings of texts that are, for the most part, unavailable in English translation—popular theater, literary magazines, television series, feminist texts, novels, essays, unpublished manuscripts, letters, and pamphlets written in the three major languages of North Africa, Arabic, French, and Tamazight or Berber—Transcolonial Maghreb demonstrates that Palestine has come to signify the colonial, broadly conceived, in the Maghreb and in the decolonizing world, with wide implications for the study of transcolonial relations across the Global South.Less
Imagining Palestine in the Era of Decolonization offers the first thorough analysis of the ways in which Moroccan, Algerian, and Tunisian writers have engaged with the Palestinian question and the Palestinian-Israeli conflict for the past fifty years. Reframing the field of Maghrebi literature to account for transversal political and aesthetic exchanges—exchanges whose importance is evidenced today in the still unfolding social and political upheavals in North Africa and the Middle East—Transcolonial Maghreb reveals that writers such as Abdellatif Laâbi, Kateb Yacine, Ahlam Mosteghanemi, Albert Memmi, Abdelkebir Khatibi, Jacques Derrida, and Edmond El Maleh have been concerned with the Palestinian question for decades, with lasting effects on the ways in which they write and imagine the Maghreb, France, and Palestine-Israel. Through a series of contextualized close readings of texts that are, for the most part, unavailable in English translation—popular theater, literary magazines, television series, feminist texts, novels, essays, unpublished manuscripts, letters, and pamphlets written in the three major languages of North Africa, Arabic, French, and Tamazight or Berber—Transcolonial Maghreb demonstrates that Palestine has come to signify the colonial, broadly conceived, in the Maghreb and in the decolonizing world, with wide implications for the study of transcolonial relations across the Global South.
Olivia C. Harrison
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780804794213
- eISBN:
- 9780804796859
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804794213.003.0006
- Subject:
- Literature, World Literature
Chapter Five begins by examining Abdelkebir Khatibi’s 1974 pamphlet, Vomito blanco. A violent polemic against Zionism, this treatise is markedly different in tone and genre from Khatibi’s later ...
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Chapter Five begins by examining Abdelkebir Khatibi’s 1974 pamphlet, Vomito blanco. A violent polemic against Zionism, this treatise is markedly different in tone and genre from Khatibi’s later writings, and in particular, his exchanges with the Jewish Egyptian psychoanalyst Jacques Hassoun and the French-Algerian philosopher Jacques Derrida on the topic of “the Abrahamic,” the tie that binds Jews and Muslims in spite of colonial/Zionist efforts to separate them. Revisiting Khatibi’s fiction in light of his Abrahamic reflections, this chapter argues that he deploys bi-langue—the in-between language he is compelled to practice as a result of the imposition of French—to resist not only assimilation, but also the separation between Jews and Arabs. The crossed reading of Khatibi and Derrida further reveals that the latter’s little known writings on Palestine and Israel are rooted in his experience of French colonialism in Algeria.Less
Chapter Five begins by examining Abdelkebir Khatibi’s 1974 pamphlet, Vomito blanco. A violent polemic against Zionism, this treatise is markedly different in tone and genre from Khatibi’s later writings, and in particular, his exchanges with the Jewish Egyptian psychoanalyst Jacques Hassoun and the French-Algerian philosopher Jacques Derrida on the topic of “the Abrahamic,” the tie that binds Jews and Muslims in spite of colonial/Zionist efforts to separate them. Revisiting Khatibi’s fiction in light of his Abrahamic reflections, this chapter argues that he deploys bi-langue—the in-between language he is compelled to practice as a result of the imposition of French—to resist not only assimilation, but also the separation between Jews and Arabs. The crossed reading of Khatibi and Derrida further reveals that the latter’s little known writings on Palestine and Israel are rooted in his experience of French colonialism in Algeria.
Marc Singer
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0005
- Subject:
- Literature, Comics Studies
Marc Singer demonstrates how Sacco, often interpreted by scholars and critics as critical of the standard of objectivity, also employs the tactics of objective news reporting in his first long-form ...
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Marc Singer demonstrates how Sacco, often interpreted by scholars and critics as critical of the standard of objectivity, also employs the tactics of objective news reporting in his first long-form work, Palestine.Less
Marc Singer demonstrates how Sacco, often interpreted by scholars and critics as critical of the standard of objectivity, also employs the tactics of objective news reporting in his first long-form work, Palestine.
Isabel Macdonald
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0004
- Subject:
- Literature, Comics Studies
In her reading of a 4-page story originally published in The New York Times Magazine, Isabel Macdonald finds in Sacco a critique of the standard of objectivity, a critique that is shared by many ...
More
In her reading of a 4-page story originally published in The New York Times Magazine, Isabel Macdonald finds in Sacco a critique of the standard of objectivity, a critique that is shared by many journalists today and that Sacco is uniquely situated to visually articulate on the comics page.Less
In her reading of a 4-page story originally published in The New York Times Magazine, Isabel Macdonald finds in Sacco a critique of the standard of objectivity, a critique that is shared by many journalists today and that Sacco is uniquely situated to visually articulate on the comics page.
