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  • Keywords: Avant-garde x
  • University Presses: Manchester University Press x
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Mixed Messages: American Correspondences in Visual and Verbal Practices

Catherine Gander and Sarah Garland (eds)

Published in print:
2016
Published Online:
January 2017
ISBN:
9781784991500
eISBN:
9781526115003
Item type:
book
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781784991500.001.0001
Subject:
Art, Art History

Mixed Messages presents and interrogates ten distinct moments from the arts of nineteenth, twentieth and twenty-first century America where visual and verbal forms blend and clash. Charting ... More


Watching the red dawn: The American avant-garde and the Soviet Union

Barnaby Haran

Published in print:
2016
Published Online:
September 2016
ISBN:
9780719097225
eISBN:
9781526109705
Item type:
book
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719097225.001.0001
Subject:
Art, Art History

Watching the red dawn charts the responses of the American avant-garde to the cultural works of its Soviet counterpart in period from the formation of the USSR in 1922 to recognition of this new ... More


Introduction: the red Atlantic

Barnaby Haran

in Watching the red dawn: The American avant-garde and the Soviet Union

Published in print:
2016
Published Online:
September 2016
ISBN:
9780719097225
eISBN:
9781526109705
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719097225.003.0001
Subject:
Art, Art History

This chapter sets up the book by considering another of introductory themes. ‘The red Atlantic’ involves an American-Russian transnationational interchange across several media in relation to the ... More


<i>X: A Quarterly Review</i> and McGahern’s modernism

Tom Walker

in John McGahern: Authority and Vision

Published in print:
2017
Published Online:
May 2018
ISBN:
9781526100566
eISBN:
9781526132321
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781526100566.003.0002
Subject:
Literature, Criticism/Theory

This chapter looks at the interconnected Dublin and London contexts to McGahern’s reception of literary and visual modernism. It does so primarily through the prism of the material and ideas ... More


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