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From the ‘true style’ to the ‘art-form of the bourgeoisie’: the origins, characteristics, and theoretical foundation of the nineteenth-century French realist, and naturalist tradition

Ian Aitken

in Realist Film Theory and Cinema: The Nineteenth-century Lukacsian and Intuitionist Realist Traditions

Published in print:
2006
Published Online:
July 2012
ISBN:
9780719070006
eISBN:
9781781700884
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719070006.003.0010
Subject:
Film, Television and Radio, Film

This chapter sheds light on the origins and characteristics of nineteenth-century realism and naturalism, including the influence of eighteenth- and nineteenth-century determinist philosophical ... More


La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition

Ian Aitken

in Realist Film Theory and Cinema: The Nineteenth-century Lukacsian and Intuitionist Realist Traditions

Published in print:
2006
Published Online:
July 2012
ISBN:
9780719070006
eISBN:
9781781700884
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719070006.003.0012
Subject:
Film, Television and Radio, Film

This chapter discusses the influence of the naturalist tradition on early French cinema, covering the pictorialist naturalist school of the 1920s, the cycles of Zola adaptations that appeared between ... More


‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition

Ian Aitken

in Realist Film Theory and Cinema: The Nineteenth-century Lukacsian and Intuitionist Realist Traditions

Published in print:
2006
Published Online:
July 2012
ISBN:
9780719070006
eISBN:
9781781700884
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719070006.003.0014
Subject:
Film, Television and Radio, Film

This chapter describes the model of aesthetic realism developed by the Hungarian theorist György Lukács, and sets out the parameters of a Lukácsian theory of cinematic realism. It discusses one of ... More


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