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By the 1920s, Abraham Lincoln had transcended the lingering controversies of the Civil War to become a secular saint, honored in North and South alike for his steadfast leadership in crisis. Throughout the Great Depression and World War II, he was invoked countless times as a reminder of America's strength and wisdom, a commanding ideal against which weary citizens could see their own hardships in perspective. But as revealed in this book, those years represent the apogee of Lincoln's prestige. The decades following World War II brought radical changes to American culture, changes that led to the diminishing of all heroes. As the author explains, growing sympathy for the plight of racial minorities, disenchantment with the American state, the lessening of patriotism in the wake of the Vietnam War, and an intensifying celebration of diversity all contributed to a culture in which neither Lincoln nor any single person could be a heroic symbol for all Americans. Paradoxically, however, the very culture that made Lincoln an object of indifference, questioning, criticism, and even ridicule was a culture of unprecedented beneficence and inclusion, where racial, ethnic, and religious groups treated one another more fairly and justly than ever before. Thus, as the prestige of the Great Emancipator shrank, his legacy of equality continued to flourish. Drawing on a wide range of sources, the book documents the decline of Lincoln's public standing, asking throughout whether there is any path back from this post-heroic era. Can a new generation of Americans embrace again their epic past, including great leaders whom they know to be flawed?

Recent years have witnessed the emergence of a virtual cottage industry in all things “Abrahamic.” Directly proportionate to the rise of religious exclusivism, perhaps best epitomized by the attacks of 9/11 and the current problems plaguing the Middle East and Afghanistan, there has been a real desire both to find and map a set of commonalities between Judaism, Christianity, and Islam. This is often done, however, not for the sake of scholarship, but interfaith dialogue. Recently, however, the term “Abrahamic religions” has been used with exceeding frequency in the academy. We now regularly encounter academic books, conferences, and even positions (including endowed chairs) devoted to the so-called “Abrahamic religions.” Often lost in contemporary discussions of “Abrahamic religions” is a set of crucial questions: whence does the term “Abrahamic religions” derive? Who created it and for what purposes? What sort of intellectual work is it perceived to perform? In order to answer these and related questions, the book examines the creation and dissemination of this category. Part genealogical and part analytical, this study seeks to raise and answer questions about the appropriateness and usefulness of employing “Abrahamic religions” as a vehicle for understanding and classifying data. In so doing, this book can be taken as a case study that examines the construction of categories within the academic study of religion, showing how the categories we employ can become more an impediment than an expedient to understanding.

The British empire was a huge enterprise. To foreigners, it more or less defined Britain in the 19th and early 20th centuries. Its repercussions in the wider world are still with us today. It also had a great impact on Britain herself: for example, on her economy, security, population, and eating habits. One might expect this to have been reflected in her society and culture. Indeed, this has now become the conventional wisdom: that Britain was steeped in imperialism domestically, which affected (or infected) almost everything Britons thought, felt, and did. This book examines this assumption critically against the broader background of contemporary British society. It argues that the empire had a far lower profile in Britain than it did abroad. Although Britain was an imperial nation in this period, she was never a genuine imperial society. As well as showing how this was possible, the book also discusses the implications of this attitude for Britain and her empire, and for the relationship between culture and imperialism more generally, bringing his study up to date by including the case of the present-day United States.

Recordings are now the primary way we hear classical music, especially the more abstract styles of “absolute” instrumental music. This book argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, the author sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart of the issue. This study reveals how mechanical reproduction has transformed classical musical culture and the very act of listening, breaking down aesthetic and generational barriers and mixing classical music into the soundtrack of everyday life.

This volume charts the rise and decline of absolutism in Milan from the early fourteenth to the early sixteenth century. The study shows how authority above the law, once the preserve of pope and emperor, was claimed by the ruling Milanese dynasties, the Visconti and the Sforza, and why this privilege was finally abandoned by Francesco II Sforza (d. 1535), the last duke. As new rulers, the Visconti and the Sforza had had to impose their regime by rewarding supporters at the expense of opponents. That process required absolute power (also known as plenitude of power), meaning the capacity to laws and the rights of subjects, including titles to property. The basis for such power reflected the changing status of Milanese rulers, first as signori and then as dukes. Contemporary lawyers were at first prepared to overturn established doctrines in support of the free use of absolute power: even Baldo degli Ubaldi accepted the latest teaching. But eventually lawyers regretted the new approach, reasserting the traditional principle that laws could not be set aside without compelling justification. The Visconti and the Sforza also saw the dangers of absolute power: as legitimate princes they were meant to champion law and justice, not condone arbitrary acts that disregarded basic rights. Black traces the application of plenitude of power in day‐to‐day government, and demonstrates how the rulers of Milan kept pace with the initial acceptance and subsequent rejection by lawyers of the concept of absolute power.

Abstract objects such as properties, propositions, numbers, degrees, and expression types are at the centre of many philosophical debates. Philosophers and linguists alike generally hold the view that natural language allows rather generously for reference to abstracts objects of the various sorts. The project of this book is to investigate in a fully systematic way whether and how natural language permits reference to abstract objects. For that purpose, the book will introduce a great range of new linguistic generalizations and make systematic use of recent semantic and syntactic theories. It will arrive at an ontology that differs rather radically from the one that philosophers, but also linguists, generally take natural language to involve. Reference to abstract objects is much more marginal than is generally thought. Instead of making reference to abstract objects, natural language, with its more central terms and constructions, makes reference to (concrete) particulars, especially tropes, as well as pluralities of particulars. Reference to abstract objects is generally reserved for syntactically complex and less central terms of the sort the property of being wise or the number eight.

The criminal courts have a power to stop a prosecution from proceeding altogether where it would be inappropriate for it to continue. This power to stay proceedings which constitute an abuse of the process of the court has assumed great practical significance and is potentially applicable in many situations. There is at least one consideration of the abuse of process doctrine in virtually every major criminal trial today. This fully updated second edition of Abuse of Process and Judicial Stays of Criminal Proceedings blends doctrinal discussion with a thorough consideration of the underlying theory to provide a searching analysis of the theory and practice of abuse of process in England and Wales, with comparative examinations of many other jurisdictions including the USA, Canada, Australia, and New Zealand. This edition focuses in particular upon the profound impact of the European Convention on Human Rights on the judicial discretion to stay criminal proceedings. It explores substantial amounts of important recent case law, taking into account ECHR jurisprudence and discussions in English courts of the interplay between Article 6 ECHR and abuse of process.

People rely on reason to think about and navigate the abstract world of human relations in much the same way they rely on maps to study and traverse the physical world. Starting from that simple observation, this book offers a critique of the way human thought and action have become deeply immersed in the rhetoric of cartography and how this cartographic reasoning allows the powerful to map out other people's lives. Comprising a reading of Western philosophy, religion, and mythology that draws on early maps and atlases; Plato, Immanuel Kant, and Ludwig Wittgenstein; and Thomas Pynchon, Gilgamesh, and Marcel Duchamp, the book is itself a minimalist guide to the terrain of Western culture. It roams widely but always returns to the problems inherent in reason, to question the outdated assumptions and fixed ideas that thinking cartographically entails.

As a very young man, one of the most celebrated English authors of the eighteenth century translated a tome about Ethiopia. This experience permanently marked Samuel Johnson, leaving traces of the African discourse he encountered in that text in his drama Irene;several of his short stories; and his most famous fiction, Rasselas. This book provides a much needed perspective in comparative literature and postcolonial studies on the power of the discourse of the other to infuse European texts. This book illuminates how the Western literary canon is globally produced by developing the powerful metaphor of spirit possession to posit some texts in the European canon as energumens, texts that are spoken through. The model of discursive possession offers a new way of theorizing transcultural intertextuality, in particular how Europe’s others have co-constituted European representations. Through close readings of primary and secondary sources in English, French, Portuguese, and Gəʿəz, the book challenges conventional wisdom on Johnson’s work, from the inspiration for the name Rasselas and the nature of Johnson’s religious beliefs to what makes Rasselas so strange.