Julie S. Field and Michael W. Graves (eds)
- Published in print:
- 2015
- Published Online:
- November 2016
- ISBN:
- 9780824839895
- eISBN:
- 9780824868369
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824839895.001.0001
- Subject:
- Society and Culture, Pacific Studies
At the base of a steep cliff towering some 500 feet above the coast of the remote Nā Pali district on the island of Kauaʻi, lies the spectacular historical and archaeological site at Nuʻalolo Kai. ...
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At the base of a steep cliff towering some 500 feet above the coast of the remote Nā Pali district on the island of Kauaʻi, lies the spectacular historical and archaeological site at Nuʻalolo Kai. First excavated by Bishop Museum archaeologists between 1958 and 1964, the site contained the well-preserved remains of one of the largest and most diverse arrays of traditional and historic artifacts ever found in Hawaiʻi. The house sites that are the focus of this book were built over five centuries of occupation and contained deeply buried, stratified deposits extending more than nine feet beneath the surface. The book details the work of the University of Hawaiʻi-Mānoa which has been compiling and studying the animal remains recovered from the archaeological excavations. The chapters discuss the range of foods eaten by Hawaiians, the ways in which particular species were captured and harvested, and how these practices might have evolved through changes in the climate and natural environment. Adding to this are analyses of a sophisticated material culture. Demonstrating that an increased preference for introduced animals effectively limited negative impacts on wild animal resources, the book argues that the Hawaiian community of Nuʻalolo Kai practiced a sustainable form of animal resource procurement and management for 500 years.Less
At the base of a steep cliff towering some 500 feet above the coast of the remote Nā Pali district on the island of Kauaʻi, lies the spectacular historical and archaeological site at Nuʻalolo Kai. First excavated by Bishop Museum archaeologists between 1958 and 1964, the site contained the well-preserved remains of one of the largest and most diverse arrays of traditional and historic artifacts ever found in Hawaiʻi. The house sites that are the focus of this book were built over five centuries of occupation and contained deeply buried, stratified deposits extending more than nine feet beneath the surface. The book details the work of the University of Hawaiʻi-Mānoa which has been compiling and studying the animal remains recovered from the archaeological excavations. The chapters discuss the range of foods eaten by Hawaiians, the ways in which particular species were captured and harvested, and how these practices might have evolved through changes in the climate and natural environment. Adding to this are analyses of a sophisticated material culture. Demonstrating that an increased preference for introduced animals effectively limited negative impacts on wild animal resources, the book argues that the Hawaiian community of Nuʻalolo Kai practiced a sustainable form of animal resource procurement and management for 500 years.
Sherry D. Fowler
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780824856229
- eISBN:
- 9780824872977
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824856229.001.0001
- Subject:
- Society and Culture, Asian Studies
When Kannon (Avalokiteśvara in Sanskrit) appears in multiple manifestations, the compassionate Buddhist deity’s magnificent powers are believed to increase to even greater heights. This book examines ...
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When Kannon (Avalokiteśvara in Sanskrit) appears in multiple manifestations, the compassionate Buddhist deity’s magnificent powers are believed to increase to even greater heights. This book examines the development of sculptures, paintings, and prints associated with the cult of the Six Kannon, which began in Japan in the tenth century and remained strong until its transition, beginning in sixteenth century, to the still active Thirty-Three Kannon cult. The complete set of Six Kannon made in 1224 and housed at the Kyoto temple Daihōonji is an exemplar of the cult’s images. With a diachronic approach, beginning in the eleventh century, individual case studies are employed to reinstate a context for the sets of Six Kannon, the majority of which have been lost or scattered, in order to clarify the former vibrancy, magnitude, and distribution of the cult and enhance knowledge of religious image-making in Japan. While Kannon’s role of assisting beings trapped in the six paths of transmigration is a well-documented catalyst for the selection of six, there are other significant themes at work. Six Kannon worship includes worldly concerns like childbirth and animal husbandry, strong ties between text and image, and numerous cases of matching with Shinto kami groups of six.Less
When Kannon (Avalokiteśvara in Sanskrit) appears in multiple manifestations, the compassionate Buddhist deity’s magnificent powers are believed to increase to even greater heights. This book examines the development of sculptures, paintings, and prints associated with the cult of the Six Kannon, which began in Japan in the tenth century and remained strong until its transition, beginning in sixteenth century, to the still active Thirty-Three Kannon cult. The complete set of Six Kannon made in 1224 and housed at the Kyoto temple Daihōonji is an exemplar of the cult’s images. With a diachronic approach, beginning in the eleventh century, individual case studies are employed to reinstate a context for the sets of Six Kannon, the majority of which have been lost or scattered, in order to clarify the former vibrancy, magnitude, and distribution of the cult and enhance knowledge of religious image-making in Japan. While Kannon’s role of assisting beings trapped in the six paths of transmigration is a well-documented catalyst for the selection of six, there are other significant themes at work. Six Kannon worship includes worldly concerns like childbirth and animal husbandry, strong ties between text and image, and numerous cases of matching with Shinto kami groups of six.
Hsiu-Chuang Deppman
- Published in print:
- 2010
- Published Online:
- November 2016
- ISBN:
- 9780824833732
- eISBN:
- 9780824870782
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824833732.001.0001
- Subject:
- Society and Culture, Asian Studies
Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the ...
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Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. The book argues that the rise of cinema in China, Hong Kong, and Taiwan in the late 1980s was partly fueled by burgeoning literary movements. Fifth Generation director Zhang Yimou’s highly acclaimed films Red Sorghum, Raise the Red Lantern, and To Live are built on the experimental works of Mo Yan, Su Tong, and Yu Hua, respectively. Hong Kong new wave’s Ann Hui and Stanley Kwan capitalized on the irresistible visual metaphors of Eileen Chang’s postrealism. Hou Xiaoxian’s new Taiwan cinema turned to fiction by Huang Chunming and Zhu Tianwen for fine-grained perspectives on class and gender relations. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the United States and Europe and reflect the growing international resources of Chinese-language cinema.Less
Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. The book argues that the rise of cinema in China, Hong Kong, and Taiwan in the late 1980s was partly fueled by burgeoning literary movements. Fifth Generation director Zhang Yimou’s highly acclaimed films Red Sorghum, Raise the Red Lantern, and To Live are built on the experimental works of Mo Yan, Su Tong, and Yu Hua, respectively. Hong Kong new wave’s Ann Hui and Stanley Kwan capitalized on the irresistible visual metaphors of Eileen Chang’s postrealism. Hou Xiaoxian’s new Taiwan cinema turned to fiction by Huang Chunming and Zhu Tianwen for fine-grained perspectives on class and gender relations. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the United States and Europe and reflect the growing international resources of Chinese-language cinema.
Christopher P. Hanscom and Dennis Washburn (eds)
- Published in print:
- 2016
- Published Online:
- November 2016
- ISBN:
- 9780824852801
- eISBN:
- 9780824868666
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824852801.001.0001
- Subject:
- Society and Culture, Asian Studies
This collection of essays examines the production of racial difference and its affects in East Asia under Japanese empire and the postwar geo-political order. The contributors turn to materials that ...
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This collection of essays examines the production of racial difference and its affects in East Asia under Japanese empire and the postwar geo-political order. The contributors turn to materials that demonstrate how race becomes visible or audible in the processes of inclusion and exclusion. From travelogues and records of speech to photographs, radio, plastic surgery, tattoos, postcards, fiction, the popular press, film and soundtracks, these explorations of diverse media demonstrate the links between the apprehension of racial difference, the formation of social and political hierarchies, and the experience of everyday culture under an expanding bio-political realm of imperial sovereignty. By demonstrating the ways in which the politics of inclusion and exclusion worked through explicitly racialized modes of representation, this collection sheds light on affective strategies common to the creation and maintenance of subjectivity across imperial formations. It also resituates theoretical and historical discussions of race and empire within an East Asian context, complicating the history of this region in provocative ways.Less
This collection of essays examines the production of racial difference and its affects in East Asia under Japanese empire and the postwar geo-political order. The contributors turn to materials that demonstrate how race becomes visible or audible in the processes of inclusion and exclusion. From travelogues and records of speech to photographs, radio, plastic surgery, tattoos, postcards, fiction, the popular press, film and soundtracks, these explorations of diverse media demonstrate the links between the apprehension of racial difference, the formation of social and political hierarchies, and the experience of everyday culture under an expanding bio-political realm of imperial sovereignty. By demonstrating the ways in which the politics of inclusion and exclusion worked through explicitly racialized modes of representation, this collection sheds light on affective strategies common to the creation and maintenance of subjectivity across imperial formations. It also resituates theoretical and historical discussions of race and empire within an East Asian context, complicating the history of this region in provocative ways.
Abidin Kusno
- Published in print:
- 2013
- Published Online:
- November 2016
- ISBN:
- 9780824837457
- eISBN:
- 9780824871017
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824837457.001.0001
- Subject:
- Society and Culture, Asian Studies
This book explores the formation of populist urban programs in post-Suharto Jakarta and the cultural and political contradictions that have arisen as a result of the continuing influence of the ...
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This book explores the formation of populist urban programs in post-Suharto Jakarta and the cultural and political contradictions that have arisen as a result of the continuing influence of the Suharto-era's neoliberal ideology of development. Analyzing a spectrum of urban agendas from waterfront city to green environment and housing for the poor, the book deepens our understanding of the spatial mediation of power, the interaction between elite and populist urban imaginings, and how past ideologies are integral to the present even as they are newly reconfigured. The book examines the anxiety over the destiny of Jakarta in its efforts to resolve the crisis of the city. The first group of chapters consider the fate and fortune of two building types, namely the city hall and the shop house, over a longue duree as a metonymy for the culture, politics, and society of the city and the nation. Other chapters focus on the intellectual legacies of the Sukarno and Suharto eras and the influence of their spatial paradigms. The final three chapters look at social and ecological consciousness in the post-Suharto era.Less
This book explores the formation of populist urban programs in post-Suharto Jakarta and the cultural and political contradictions that have arisen as a result of the continuing influence of the Suharto-era's neoliberal ideology of development. Analyzing a spectrum of urban agendas from waterfront city to green environment and housing for the poor, the book deepens our understanding of the spatial mediation of power, the interaction between elite and populist urban imaginings, and how past ideologies are integral to the present even as they are newly reconfigured. The book examines the anxiety over the destiny of Jakarta in its efforts to resolve the crisis of the city. The first group of chapters consider the fate and fortune of two building types, namely the city hall and the shop house, over a longue duree as a metonymy for the culture, politics, and society of the city and the nation. Other chapters focus on the intellectual legacies of the Sukarno and Suharto eras and the influence of their spatial paradigms. The final three chapters look at social and ecological consciousness in the post-Suharto era.
Sarah M. Strong
- Published in print:
- 2011
- Published Online:
- November 2016
- ISBN:
- 9780824835125
- eISBN:
- 9780824870331
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824835125.001.0001
- Subject:
- Society and Culture, Asian Studies
Indigenous peoples throughout the globe are custodians of a unique, priceless, and increasingly imperiled legacy of oral lore. Among them the Ainu, a people native to northeastern Asia, stand out for ...
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Indigenous peoples throughout the globe are custodians of a unique, priceless, and increasingly imperiled legacy of oral lore. Among them the Ainu, a people native to northeastern Asia, stand out for the exceptional scope and richness of their oral performance traditions. This book provides a study and English translation of Chiri Yukie's Ainu Shin'yoshu, the first written transcription of Ainu oral narratives by an ethnic Ainu. The thirteen narratives in Chiri's collection belong to the genre known as kamuiyukar, said to be the most ancient performance form in the vast Ainu repertoire. In it, animals (and sometimes plants or other natural phenomena) assume the role of narrator and tell stories about themselves. Along with critical contextual information about traditional Ainu society and its cultural assumptions, the book brings forward pertinent information on the geography and natural history of the coastal southwestern Hokkaido region where the stories were originally performed. It also offers the first extended biography of Chiri Yukie (1903–1922) in English. The story of her life, and her untimely death at age nineteen, makes clear the harsh consequences for Chiri and her fellow Ainu of the Japanese colonization of Hokkaido and the Meiji and Taisho governments' policies of assimilation. Chiri's receipt of the narratives in the Horobetsu dialect from her grandmother and aunt (both traditional performers) and the fact that no native speakers of that dialect survive today make her work all the more significant. The book concludes with a full, integral translation of the text.Less
Indigenous peoples throughout the globe are custodians of a unique, priceless, and increasingly imperiled legacy of oral lore. Among them the Ainu, a people native to northeastern Asia, stand out for the exceptional scope and richness of their oral performance traditions. This book provides a study and English translation of Chiri Yukie's Ainu Shin'yoshu, the first written transcription of Ainu oral narratives by an ethnic Ainu. The thirteen narratives in Chiri's collection belong to the genre known as kamuiyukar, said to be the most ancient performance form in the vast Ainu repertoire. In it, animals (and sometimes plants or other natural phenomena) assume the role of narrator and tell stories about themselves. Along with critical contextual information about traditional Ainu society and its cultural assumptions, the book brings forward pertinent information on the geography and natural history of the coastal southwestern Hokkaido region where the stories were originally performed. It also offers the first extended biography of Chiri Yukie (1903–1922) in English. The story of her life, and her untimely death at age nineteen, makes clear the harsh consequences for Chiri and her fellow Ainu of the Japanese colonization of Hokkaido and the Meiji and Taisho governments' policies of assimilation. Chiri's receipt of the narratives in the Horobetsu dialect from her grandmother and aunt (both traditional performers) and the fact that no native speakers of that dialect survive today make her work all the more significant. The book concludes with a full, integral translation of the text.
Leith Morton
- Published in print:
- 2009
- Published Online:
- November 2016
- ISBN:
- 9780824832926
- eISBN:
- 9780824870201
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824832926.001.0001
- Subject:
- Society and Culture, Asian Studies
Readers worldwide have long been drawn to the foreign, the exotic, and the alien, even before Freud's famous essay on the uncanny in 1919. Given Japan's many years of relative isolation, followed by ...
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Readers worldwide have long been drawn to the foreign, the exotic, and the alien, even before Freud's famous essay on the uncanny in 1919. Given Japan's many years of relative isolation, followed by its multicultural empire, these themes seem ripe for exploration and exploitation by Japanese writers. Their literary adventures have taken them inside Japan as well as outside, and how they internalized the exotic through the adoption of modernist techniques and subject matter forms the primary subject of this book. This is the first book-length thematic study in English of the alien in modern Japanese literature and helps shed new light on a number of important authors. It examines the Gothic, a form of writing with strong affinities to European Gothic and a motif in the fiction of several key modern Japanese writers, such as Arishima Takeo. It also discusses the translations of Tsubouchi Shöyö, Japan's most famous early translator of Shakespeare, and how this author was absorbed into the Japanese literary and theatrical tradition. The new field of translation theory and how it relates to translating Shakespeare are also discussed. The book devotes two chapters to the celebrated female poet Yosano Akiko, whose verse on childbirth and her unborn children broke taboos relating to the expression of the female body and sensibility. It also highlights the writing of contemporary Okinawan novelist Öshiro Tatsuhiro, whose work springs from what is for Japanese an exotic subtropical landscape and makes symbolic reference to the otherness at the heart of Japanese religiosity. The final chapter analyzes the travel writing of Murakami Haruki.Less
Readers worldwide have long been drawn to the foreign, the exotic, and the alien, even before Freud's famous essay on the uncanny in 1919. Given Japan's many years of relative isolation, followed by its multicultural empire, these themes seem ripe for exploration and exploitation by Japanese writers. Their literary adventures have taken them inside Japan as well as outside, and how they internalized the exotic through the adoption of modernist techniques and subject matter forms the primary subject of this book. This is the first book-length thematic study in English of the alien in modern Japanese literature and helps shed new light on a number of important authors. It examines the Gothic, a form of writing with strong affinities to European Gothic and a motif in the fiction of several key modern Japanese writers, such as Arishima Takeo. It also discusses the translations of Tsubouchi Shöyö, Japan's most famous early translator of Shakespeare, and how this author was absorbed into the Japanese literary and theatrical tradition. The new field of translation theory and how it relates to translating Shakespeare are also discussed. The book devotes two chapters to the celebrated female poet Yosano Akiko, whose verse on childbirth and her unborn children broke taboos relating to the expression of the female body and sensibility. It also highlights the writing of contemporary Okinawan novelist Öshiro Tatsuhiro, whose work springs from what is for Japanese an exotic subtropical landscape and makes symbolic reference to the otherness at the heart of Japanese religiosity. The final chapter analyzes the travel writing of Murakami Haruki.
Heather A. Diamond
- Published in print:
- 2008
- Published Online:
- November 2016
- ISBN:
- 9780824831714
- eISBN:
- 9780824869342
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824831714.001.0001
- Subject:
- Society and Culture, Pacific Studies
At the 1989 Smithsonian Folklife Festival (SFF), throngs of visitors gathered on the National Mall to celebrate Hawaiʻi's multicultural heritage through its traditional arts. The “edu-tainment” ...
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At the 1989 Smithsonian Folklife Festival (SFF), throngs of visitors gathered on the National Mall to celebrate Hawaiʻi's multicultural heritage through its traditional arts. The “edu-tainment” spectacle revealed a richly complex Hawaiʻi that few tourists ever see and one never before or since replicated in a national space. The program was restaged a year later in Honolulu for a local audience and subsequently inspired several spin-offs in Hawaiʻi. In both Washington, D.C., and Honolulu, the program instigated a new paradigm for cultural representation. This book uncovers the behind-the-scenes negotiations and processes that inform the national spectacle of the SFF. The book supplies an analysis of how the carefully crafted staging of Hawaiʻi's cultural diversity was used to serve a national narrative of utopian multiculturalism while empowering Hawaiʻi's traditional artists and providing a model for cultural tourism that has had long-lasting effects. The book positions the 1989 Hawaiʻi program within a history of institutional intervention in the traditional arts of the island's ethnic groups as well as in relation to local cultural revivals and the tourist industry. By tracing the planning, fieldwork, site design, performance, and aftermath stages of the program, the book examines the uneven processes through which local culture is transformed into national culture and raises questions about the stakes involved in cultural tourism for both culture bearers and culture brokers.Less
At the 1989 Smithsonian Folklife Festival (SFF), throngs of visitors gathered on the National Mall to celebrate Hawaiʻi's multicultural heritage through its traditional arts. The “edu-tainment” spectacle revealed a richly complex Hawaiʻi that few tourists ever see and one never before or since replicated in a national space. The program was restaged a year later in Honolulu for a local audience and subsequently inspired several spin-offs in Hawaiʻi. In both Washington, D.C., and Honolulu, the program instigated a new paradigm for cultural representation. This book uncovers the behind-the-scenes negotiations and processes that inform the national spectacle of the SFF. The book supplies an analysis of how the carefully crafted staging of Hawaiʻi's cultural diversity was used to serve a national narrative of utopian multiculturalism while empowering Hawaiʻi's traditional artists and providing a model for cultural tourism that has had long-lasting effects. The book positions the 1989 Hawaiʻi program within a history of institutional intervention in the traditional arts of the island's ethnic groups as well as in relation to local cultural revivals and the tourist industry. By tracing the planning, fieldwork, site design, performance, and aftermath stages of the program, the book examines the uneven processes through which local culture is transformed into national culture and raises questions about the stakes involved in cultural tourism for both culture bearers and culture brokers.
Kirsten Cather
- Published in print:
- 2012
- Published Online:
- November 2016
- ISBN:
- 9780824835873
- eISBN:
- 9780824871604
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824835873.001.0001
- Subject:
- Society and Culture, Asian Studies
In 2002 a manga (comic book) was for the first time successfully charged with the crime of obscenity in the Japanese courts. This book traces how this case represents the most recent in a long line ...
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In 2002 a manga (comic book) was for the first time successfully charged with the crime of obscenity in the Japanese courts. This book traces how this case represents the most recent in a long line of sensational landmark obscenity trials that have dotted the history of postwar Japan. The objects of these trials range from a highbrow literary translation of Lady Chatterley’s Lover and modern adaptations and reprintings of Edo-period pornographic literary “classics” by authors such as Nagai Kafū to soft core and hard core pornographic films, including a collection of still photographs and the script from Ōshima Nagisa’s In the Realm of the Senses, as well as adult manga. At stake in each case was the establishment of a new hierarchy for law and culture, determining, in other words, to what extent the constitutional guarantee of free expression would extend to art, artist, and audience. The book draws on diverse sources, including trial transcripts and verdicts, literary and film theory, legal scholarship, and surrounding debates in artistic journals and the press. It demonstrates how legal arguments are enmeshed in a broader web of cultural forces. The book offers an original, interdisciplinary analysis that shows how art and law nurtured one another even as they clashed and demonstrates the dynamic relationship between culture and law, society and politics in postwar Japan.Less
In 2002 a manga (comic book) was for the first time successfully charged with the crime of obscenity in the Japanese courts. This book traces how this case represents the most recent in a long line of sensational landmark obscenity trials that have dotted the history of postwar Japan. The objects of these trials range from a highbrow literary translation of Lady Chatterley’s Lover and modern adaptations and reprintings of Edo-period pornographic literary “classics” by authors such as Nagai Kafū to soft core and hard core pornographic films, including a collection of still photographs and the script from Ōshima Nagisa’s In the Realm of the Senses, as well as adult manga. At stake in each case was the establishment of a new hierarchy for law and culture, determining, in other words, to what extent the constitutional guarantee of free expression would extend to art, artist, and audience. The book draws on diverse sources, including trial transcripts and verdicts, literary and film theory, legal scholarship, and surrounding debates in artistic journals and the press. It demonstrates how legal arguments are enmeshed in a broader web of cultural forces. The book offers an original, interdisciplinary analysis that shows how art and law nurtured one another even as they clashed and demonstrates the dynamic relationship between culture and law, society and politics in postwar Japan.
Stacy L. Kamehiro
- Published in print:
- 2009
- Published Online:
- November 2016
- ISBN:
- 9780824832636
- eISBN:
- 9780824868864
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824832636.001.0001
- Subject:
- Society and Culture, Pacific Studies
This book offers an account of Hawaiian public art and architecture during the reign of David Kalākaua, who ruled the Hawaiian Kingdom from 1874 to 1891. The book provides visual and historical ...
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This book offers an account of Hawaiian public art and architecture during the reign of David Kalākaua, who ruled the Hawaiian Kingdom from 1874 to 1891. The book provides visual and historical analysis of Kalākaua's coronation and regalia, the King Kamehameha Statue, ‘Iolani Palace, and the Hawaiian National Museum, drawing them together in a common historical, political, and cultural frame. These cultural projects were part of the monarchy's effort to promote a national culture in the face of colonial pressures, internal political divisions, and declining social conditions for Native Hawaiians. The book interprets the images, spaces, and institutions as articulations of the complex cultural entanglements and creative engagement with international communities that occur with prolonged colonial contact. Nineteenth-century Hawaiian sovereigns celebrated Native tradition, history, and modernity by intertwining indigenous conceptions of superior chiefly leadership with the apparati and symbols of Asian, American, and European rule. The resulting symbolic forms speak to cultural intersections and historical processes, claims about distinctiveness and commonality, and the power of objects, institutions, and public display to create meaning and enable action. The book pursues questions regarding the nature of cultural exchange, how precolonial visual culture engaged and shaped colonial contexts, and how colonial art informs postcolonial visualities and identities.Less
This book offers an account of Hawaiian public art and architecture during the reign of David Kalākaua, who ruled the Hawaiian Kingdom from 1874 to 1891. The book provides visual and historical analysis of Kalākaua's coronation and regalia, the King Kamehameha Statue, ‘Iolani Palace, and the Hawaiian National Museum, drawing them together in a common historical, political, and cultural frame. These cultural projects were part of the monarchy's effort to promote a national culture in the face of colonial pressures, internal political divisions, and declining social conditions for Native Hawaiians. The book interprets the images, spaces, and institutions as articulations of the complex cultural entanglements and creative engagement with international communities that occur with prolonged colonial contact. Nineteenth-century Hawaiian sovereigns celebrated Native tradition, history, and modernity by intertwining indigenous conceptions of superior chiefly leadership with the apparati and symbols of Asian, American, and European rule. The resulting symbolic forms speak to cultural intersections and historical processes, claims about distinctiveness and commonality, and the power of objects, institutions, and public display to create meaning and enable action. The book pursues questions regarding the nature of cultural exchange, how precolonial visual culture engaged and shaped colonial contexts, and how colonial art informs postcolonial visualities and identities.
Mexico City through History and Culture
China–India
Conditional Spaces
Chinese Art and Its Encounter with the World
Image Brokers
Politicking and Emergent Media
Balancing on a Planet
East Asian Pop Culture
Merchants' Daughters
